As the creative director, I have been leading the exploration and research and development efforts in the emerging field of the metaverse and web3. Within this role, I have been instrumental in cultivating the New Frontiers Presents (NFP) IP and refining it into a recognizable and influential brand within the web3, VR, AR, and Blockchain space.My contributions include designing and creating immersive VR experiences for both NFP and our clients, leveraging both walled garden applications and direct URL web3 3D interactive sites. These experiences range from virtual stores to educational pavilions, showcasing our clients' products or services. I am particularly passionate about transitioning everyone from web2.0 to web3.0 and ensuring compatibility with blockchain technology.By driving art direction and pushing the boundaries of what is possible, I am dedicated to shaping the future of the metaverse and web3 technologies, delivering innovative and engaging experiences to users.

I assisted in transitioning the company from a 2D animation pipeline to DreamWorks' 3D animated pipeline for the episodic Netflix series, 'Not Quite Narwhal.' At Doberman, I played a key role in proxy modeling primary sets and set pieces, such as props, trees, carts, houses, skyboxes, and environment features, adhering to DreamWorks' technical specifications outlined in their television Bible. Working closely with the series director, art director, and head of storyboard, I focused on maximizing set reusability. I also served as the direct liaison between DreamWorks' technical art staff and Doberman studios, facilitating knowledge transfer and ensuring the art team was proficient in all aspects of 3D production. This project involved coordinating multiple teams and working remotely during the COVID-19 pandemic. It remains one of my favorite projects to date, given its complexity and the opportunity to work with such talented individuals.

Lead Designer on Blaze and The Monster Machines.

Concept artist/Designer on OctonautsCharacters/Locations/Props/Colour boards/outsource surfacing guides/part time art director

Over seeing all art assets and creation. While at Exit Earth I wore the many hats of concept designer, character modeler, character rigger, character animator, world artist, props artist, fx artist, texture artist, web artist, level, and , game designer. I also helped in grant writing and obtaining financial funding for the project through the CMF (Canada media fund).

* Lead environment Texture Artist for Captain America Serum Soldier * Developed unique textures sets for all locations of the world * Developed unique textures sets for the environment props interactive and non interactive

Lead Texture Artist & Environment Modeler Created high quality textures for the Crash Bandicoot franchise: Crash Tag TeamRacing, Crash Of The Titans, Crash Mind Over Mutant using Maya, Photoshop,crazybump and traditional drawing, painting and photography

Produced realistic textures and environments for use in ESPN Baseball 2K4 using Maya and Photoshop

Created textures for use in World Series Baseball 2k2 for Sega Created textures and concept drawings for use in Toxic Grind for THQ

* Pilot episode of "The Elf King" 3d animated TV series Designed all aspects of character design, including environments, costumes, and props * Established model sheets and worked one on one with the modelers and texture artists * Edited storyboard animatics using Premier, After FX, and PVR