• Spearheads the production of video and podcast content franchises that generated 500k+ views/plays across digital platforms.• Manages cross-functional teams in copywriting, video production, brand design, and content creation.• Delivers high-impact campaigns, case studies, websites, white papers, press releases, eBooks, and executive thought leadership for our Digital Strategy, Brand & Experience Design, Digital Product Development, Data & AI, and Digital Marketing services.• Leads the development and implementation of firmwide brand identity.

- Launched Princeton University student organization to successfully produce intimate and large-scale music events (John Scofield, Disco Biscuits, Willie Nelson, DJ Christopher Lawrence, etc.)- Consulted for and helped grow organization into international NGO and worldwide music network providing music education to children and adults in 30+ countries around the world.- Certified at MIMA's Goodwill Institute ThinkTank in Florianopolis, Brazil (August 2008)- Developed MIMA Presents fundraising initiative with inaugural sold-out concert featuring Antibalas and Tuelo & Her Cousins

· Directed global storytelling campaigns and content gathering programs for Fortune 500 clients, crafting unique deliverables including publications, oral history programs, exhibits, videos, websites, archives and other digital solutions. · Served as Creative Lead for top-tier clients including: 21st Century Fox, Adobe Systems, Boston Scientific, Booz Allen Hamilton, Brooks Brothers, Cardinal Health, Cleveland Clinic, CME Group, City of Hope Medical Center, FINRA, Graybar, HarperCollins, Hershey, Huntington Bank, Lions Club, Lockheed Martin, National Defense Industrial Association, National Renewable Energy Lab, New Balance, PEAK Grantmaking, Pfizer, Qualcomm, San Francisco Foundation, Southwest Airlines, Staples, Sub-Zero Group, TIAA-CREF, University Healthcare System, U.S. Pharmacopeia, Vitamix, Whirlpool and Woodward· Created trademarked StoryARC methodology adapting Hero's Journey story structure to corporate storytelling environment. Facilitated hundreds of in-person and virtual sessions globally for diverse participants ranging from entry-level employees to C-suite executives.· Co-leader of HF Culture Committee, heading company-wide effort to codify our core values and enhance talent recruiting and retention· Authored award-winning history publications for Lockheed Martin, Huntington Bank, Brooks Brothers, Discover Financial Services and City of Hope Medical Center

Debut novel WE CAN SAVE US ALL published November 2018: http://a.co/a0NqjRTOne of ALA Booklist's "Top 10 Debut Novels of 2018"“Nemett captures a group whose unfettered exuberance is seldom found in today’s novels.” —Antonia Hitchens, The New York Times Book Review“Nemett’s wondrously fresh novel positively bursts with charm, heart, and invention.” —BOOKLIST, Starred Review“An unlikely but timely contribution to the ongoing #MeToo dialog as well as humorous riposte to concerns about society and the environment. Highly recommended.” —LIBRARY JOURNAL, Starred Review“Realistic and smart, this is science fiction at its best.” —Foreword Reviews“A confident, visceral debut that’s worth the ride.” —Kirkus Reviews

• Taught “Screenwriting for Shoestring Budgets” in spring 2009 semester• Combined lecture and workshop model to guide students in writing feature-length screenplays able to be produced via low-budget filmmaking methods

- Liaised with employers in the arts, entertainment and design industries to plan and execute career expos and colloquiums. - Created marketing print materials and handled general administrative tasks for academic human resources department

- Developed lectures and lesson plans for weekly undergraduate fiction seminar/workshop- Provided editing and one-on-one mentoring feedback for writing majors

- Helped develop business model and provide publicity/advertising for innovative online social networking community- Wrote, provided editing feedback and managed collaborative novels and non-fiction projects

- Directed all artistic and administrative aspects towards the completion of the feature-length (100 min.) narrative film, THE INSTRUMENT- Favorably reviewed by Variety and LA Weekly and selected as Closing Night film for multiple film festivals in New York, Los Angeles and Baltimore.

- Performed transcription, statistics graphing and administrative tasks for fast-paced midtown financial consulting firm- Worked with ERP software, compiling data from mainframe computer databases.

- Taught undergraduate film course, "Imaging from Cinema" devoted to exposing visual artists to film history- Six-hour courses included three-hour lectures plus extensive critiques of student visual and written work- Scheduled to teach "Screenwriting for Shoestring Budgets" at MICA in Spring 2009

- Served as liaison between camera crews and musical artists at the Bonnaroo 2004 Music Festival- Conducted interviews, schedule coordination and assistant editing for multi-million dollar documentary production [Dir. Danny Clinch]

- Provided scene direction for reality television series, "Taking Care of Business," airing on The Learning Channel- Handled location scouting, scheduling, budgeting and product placement- Researched and wrote proposals for original series and documentary concepts for PBS, HBO and Discovery Channel

- Served 3 years as Editor and Columnist for most widely-read Princeton publication, founded by David Remnick (The New Yorker), Robert Faggen and Marc Fisher (Washington Post).- Oversaw writing and editing of tradition and humorous creative non-fiction articles- Managed production for the weekly news & arts journal- 'Super Controversial Top Ten Issue' profiled in The New Yorker | "The Girls of Princeton," Nick Paumgarten, May 27, 2002