My practice focuses on transactional and advisory matters involving emerging and innovative uses of technology, intellectual property, and data. I am co-chair of the firm’s Entertainment and Media Industry group, co-chair of the firm's Music Industry practice, co-chair of the firm's Metaverse Initiative, and help to drive the firm's Artificial Intelligence-related transactional and advisory work.Chambers notes "Adrian is held in high regard for his expertise in the use of emerging technologies in the media and entertainment sector" and "[he] is business-minded, consistently collaborative and delivers actionable guidance." I've been fortunate to receive the recognitions below: The Hollywood Reporter, NY Power Lawyer (2020-2021, 2023)Variety, Dealmakers Impact Report (2020-2022)Variety, Legal Impact Report (2022-2024)Billboard, "Top Music Lawyers" (2020-2024)Chambers and Partners, Technology - New York category (2021-2024)Chambers and Partners, Media & Entertainment - Advisory category (2023-2024)Law360, Sports and Betting "Rising Star" (2020)New York Metro Super Lawyers, "Rising Star" (2019)Legal 500 US, Technology: Transactions (2017)--Attorney Advertising--I am also a songwriter, singer and bass player. I've played with, or opened shows for, Stone Temple Pilots, Slash, Jane's Addiction, Modest Mouse, Black Rebel Motorcycle Club, Cage the Elephant, The War on Drugs, Aerosmith, Gregg Allman and Derek Trucks, among others. I worked in A&R at Sony Music and also for two seasons at Saturday Night Live prior to law school.