Lured in by the beauty of flowers and the magic they add to any occasion, I studied a course in Floral Styling for Events and launched my business, Flowers by Miss Fitz & Co. I developed the business' branding - from logo and typeface selection to promotional materials and business cards to quotation templates and communication templates. And taking to social media and direct mail to build a loyal group of clients, including Harvey Galleries, Nina Maya Interiors, Hyundai, Clarke &… Show more Lured in by the beauty of flowers and the magic they add to any occasion, I studied a course in Floral Styling for Events and launched my business, Flowers by Miss Fitz & Co. I developed the business' branding - from logo and typeface selection to promotional materials and business cards to quotation templates and communication templates. And taking to social media and direct mail to build a loyal group of clients, including Harvey Galleries, Nina Maya Interiors, Hyundai, Clarke & Humel, Roche, WPP, Ogilvy, Luchettie Krelle and Curatorial+Co and achieving editorial exposure in Inside Out, Real Living, Australian House & Garden and Belle. I have been involved in some extremely wonderful and worthwhile fundraising events as well as over a dozen beautiful weddings. Show less

I joined Australian House & Garden as Deputy Editor in 2011, and was promoted to Managing Editor in 2012. During my tenure, I managed all homes content and entertaining pages: curating submissions, seeking out new leads, commissioning writers, photographers and videographers, working with the in-house team of stylists, sub editors, feature writers and designers to produce the most-read monthly homes title in Australia. I created annual content plans with the Editor in Chief, wrote feature… Show more I joined Australian House & Garden as Deputy Editor in 2011, and was promoted to Managing Editor in 2012. During my tenure, I managed all homes content and entertaining pages: curating submissions, seeking out new leads, commissioning writers, photographers and videographers, working with the in-house team of stylists, sub editors, feature writers and designers to produce the most-read monthly homes title in Australia. I created annual content plans with the Editor in Chief, wrote feature articles, crafted coverlines, and developed an online and social media strategy to complement the magazine’s direction. I drove the augmented reality inclusions (viewa). I was responsible for executing the competitions we held, and worked hand-in-hand with the legal team and marketing department for selected H&G brand events and promotions. Annually I also produced the Top 50 Rooms editorial feature and awards event, one of our key properties that nurtured our relationship with key advertisers and stakeholders, leading architects and designers and showcased premium Australian design. Show less

As the Editor of Renovate magazine, I drove its rebranding. We devised a cleaner template that allowed the message to be delivered more effectively. Using my existing network of architect and design contacts, while also continuing to develop new relationships, I managed to increase the integrity of the magazine’s content – and elevated its profile in the market. At Universal Magazines I launched the Home Design e-newsletter that was distributed to a database of over 8,000 subscribers, and… Show more As the Editor of Renovate magazine, I drove its rebranding. We devised a cleaner template that allowed the message to be delivered more effectively. Using my existing network of architect and design contacts, while also continuing to develop new relationships, I managed to increase the integrity of the magazine’s content – and elevated its profile in the market. At Universal Magazines I launched the Home Design e-newsletter that was distributed to a database of over 8,000 subscribers, and worked closely with web design and development teams. Show less

I was a contract project editor at Phaidon Press – working on a super-sized book on graphic design. It was an exciting, challenging project where I was brought on to reinvigorate a team on a project that had lost momentum. I was responsible for scheduling and tracking the progress of the book, and successfully managed a team of seven full time staff plus contractors towards the goal of completion.

My role as the Editor of Design Quarterly [DQ] magazine involved scoping out the Australian design industry and communicating the key developments and news with professionals in the field. I was responsible for the planning, production and proof reading of all content, as well as maintaining strong relationships with our key stakeholders – readers, contributors and advertisers. I navigated the magazine’s direction, where it became an industry-renowned publication with its finger on the pulse… Show more My role as the Editor of Design Quarterly [DQ] magazine involved scoping out the Australian design industry and communicating the key developments and news with professionals in the field. I was responsible for the planning, production and proof reading of all content, as well as maintaining strong relationships with our key stakeholders – readers, contributors and advertisers. I navigated the magazine’s direction, where it became an industry-renowned publication with its finger on the pulse. During my editorship, I worked to align the magazine with industry events and festivals, such as Pecha Kucha, the Geyer series of debates and of course the Indesign Group’s own, Saturday in Design event and Launch Pad competition and mentorship program. Whilst there, I drove the re-branding of Design Quarterly, working closely with an external graphic design studio to establish a unique creative direction (including the stronger visual tone, matte paper stock, creative layout and dynamic mast head). This gained industry-wide praise and appreciation. Show less