When I started thinking in photographic terms, I was little more than a kid who dreamed of living by drawing. For this reason, after attending the Artigianelli Institute following a course of study as a trainer and offset printer, I decided to enroll in the school of illustration and graphics founded and directed by master Rubén Sosa. After training, I met people very close to my feelings, with whom I found fertile ground for the expression of my artistic inclinations. By combining our skills as unconventional drawers, we quickly became one of the first writing groups in our city. Thanks to this collective creative drive, I had the opportunity to travel frequently to various parts of Italy, to paint on commission during cultural events and activities. A short time later, the search for a personal graphic style, combined with the study of martial arts, took me to Japan, where I lived for about six months. In those years I began to document photographically how much I lived and those experiences ferried me to the first photographic studio where I learned the trade I was starting a new path and at the same time the digital age was beginning. Choosing my path as an assistant, out of pure synchrony, I found myself in the middle of the two epochs, analogue and digital, drawing both from one and the other. This gave me the ability to know how to use both techniques with the same ease. After several years as an assistant, in 2007 I opened my current VAT number as a photographer. Since then, I have collaborated with various communication agencies and with fellow photographers, thus refining collaborative skills and management of interpersonal relationships in a team. The areas in which i specialized are: reportage, portraiture and still life. Here are some of the main customers of recent years: Golden Point, Golden Lady, Velvet Confezioni, Giustacchini Printing, Joia Cucina Naturale, Dall’Ava, Bonomi Contemporaneo Italiano, Gialdini Sport, Palazzo Caprioli, Valledoro, Made In Steel, Gruppo Morandi, Albereta Relais & Châteaux, Rolex. cognition, thanks to a strong inclination to empathy, the portrait in analogue. On these occasions I use the view camera, or other medium format film cameras, personally dedicating myself to the entire process, from shooting to developing and printing in the darkroom.