After completing a bachelor in Computer Music, an endeavor in auto-didactic work led to the exploration of various subjects related to Audio Development.Working in Max/MSP, designed a virtual modular system with 80+ modules, with many written in genExpr, gained practical experience in designing and developing code employing audio routines such as:FFT, Delay-based processing (phasing, echo, reverb and filters), distortion, real-time IR-based convolution, anti-aliased oscillators and wave-tables, FM, pulsar, granular, physical-modeling and wave-shaping synthesis.And audio-related techniques:Envelopes, sequencing (including euclidean systems), modulation (LFO and random signal generation), note and trigger quantization.Throughout his work, he has developed Max 4 Live devices, Max-based standalone applications with built-in web-UI servers, chaotic system models applied to audio and Jitter-based audiovisual installations, this allowed to sharpen skills in HTML/CSS, C/C++ and Bash while becoming proficient in JavaScript and genExpr.Developed C++ skills in his personal work, developing Max objects using the min-api, plug-ins (JUCE) and standalone audio applications, one of which is a modular patching environment for physical-modelling - Phi.Architected and developed a platform-independent interactive audio app in Rust with real-time capabilities with a conditional build system and integrated libraries through ffi.Designed and developed plug-ins in JUCE for Rast-Sound.The work is always driven by a critical sense of esthetic in UI/UX and audio design, while understanding the technical implementations of audio content and/or manipulation, the focus remains on the usability and overall experience of the software UI and the musicality, richness and quality of the audio.