Working together with Aske (designer of the board game Living Forest), I helped with developing, designing and testing for multiple board games (titles TBA). In addition to this, I helped with sketching & prototyping the game; producing several game artefacts to be used in the prototype; advancing existing game concept ideas; furthering and balancing game systems.Furthermore, I helped create the pitch & communication material, for particularly 1 main board game, with the intent of being… Show more Working together with Aske (designer of the board game Living Forest), I helped with developing, designing and testing for multiple board games (titles TBA). In addition to this, I helped with sketching & prototyping the game; producing several game artefacts to be used in the prototype; advancing existing game concept ideas; furthering and balancing game systems.Furthermore, I helped create the pitch & communication material, for particularly 1 main board game, with the intent of being pitch-ready at Essen Spiel 2024.I was challenged professionally, by the shift to board games, and was humbled by Aske's beautifully complex game ideas, but was able to draw on both past experiences and my theoretical, academic, background - and I was extremely happy with the end-result and overall collaboration between the two of us. Show less

Working at Escape CPH, I was part of a small R&D department of 3. As such, I took great part in the conceptualisation & building of escape rooms (primarily HACKED!). This included sketching & rapid prototyping on actual game pieces (physically as well as conceptual: puzzles). In addition to this, a multitude of tasks derived from being sole game design scholar (co-workers with engineering background). As we moved closer to launch, I took part in the QA & test (design) with actual end-users… Show more Working at Escape CPH, I was part of a small R&D department of 3. As such, I took great part in the conceptualisation & building of escape rooms (primarily HACKED!). This included sketching & rapid prototyping on actual game pieces (physically as well as conceptual: puzzles). In addition to this, a multitude of tasks derived from being sole game design scholar (co-workers with engineering background). As we moved closer to launch, I took part in the QA & test (design) with actual end-users. This also means that I was part of the entire process from ”napkin-sketch” to ”shipped”. Lastly, I began the initial analysis-work on a composition of a game-mechanics-catalogue, to be used for future design of multiple escape rooms. Show less

I started working part time, at UDU whilst studying; combining the theory and craft from my education, and using it professionally in a start-up setting. This flourished into a company collaboration, parallel to the work, in a course leading up to my master thesis - which I also chose to do in collaboration with UDU. Working here, I took part in the conceptualisation of several game ideas (concepts, mechanics, systems and loops). Furthermore, I worked on the early-stage sketching &… Show more I started working part time, at UDU whilst studying; combining the theory and craft from my education, and using it professionally in a start-up setting. This flourished into a company collaboration, parallel to the work, in a course leading up to my master thesis - which I also chose to do in collaboration with UDU. Working here, I took part in the conceptualisation of several game ideas (concepts, mechanics, systems and loops). Furthermore, I worked on the early-stage sketching & designing of game-systems, -mechanics and -loops on particularly their projected launch-game (Quests of Aoki). In addition, I was facilitating (design) workshops - in collaboration with and between the adjacent departments (art & software). Lastly, I worked on general (game) design work on their initial launch-game whilst making contributions to ad hoc interaction design. Show less