Alexander Verbitskiy Email & Phone Number

United States

London, GB

• Grammy Awards, iHeartRadio Awards, Rock & Roll Hall of Fame, Watsky: Love Letters, We Are X, Britney vs Spears, Foo Fighters: Preparing Music For Concerts.Collaborating closely with producers, directors, and talent, I.
• Lead a diverse audio team to create multi-award-winning mix of ‘Kommando 1944’
• Conducted comprehensive audio restorations for an array of private archives and collections, servicing high-profile clients such as Betty White and The Hyers Sisters, among others.
• Embracing the fast turnaround nature of podcasting business, developed a hybrid workflow leveraging AI/ML tools, while completely preserving the natural sound, not typically possible with traditional speech re-synthesis.
• Assisted high-profile studio clients in resolving existing issues, onboarding staff, enhancing workflows, strengthening cybersecurity, and improving sonic characteristics at their facilities.

Burbank, California, US

• Hotel Artemis, Babylon Berlin, Fauda, Devs, Hollyblood, Full Metal Alchemist 1-3, Sky High, Sky Rojo, Eva Lasting, Steet Foods, Mrs. America
• Delivered high-quality mixes for over 75 shows spanning over 260 episodes, including the critically acclaimed ‘Babylon Berlin’, ‘Fauda’, and ‘Street Foods’ series.
• Ensured uninterrupted project fulfillment for a team of 10+ editors during the lockdowns, by creating custom tools for remote work to replicate functionality of an inhouse server-grade solution.
• Successfully streamlined FFME workflow, reducing the turnaround time from 4-5 business days to just 2.
• Contributed to the development of the 'Music Slayer' solution, enabling dialogue and vocal separation from composite mixes, which revolutionized music replacement in legacy shows such as 'Party of Five' and 'Dawson’s.
• Led comprehensive training for new and existing staff, establishing protocols and developing resources. Successfully met cross-training targets while reducing workflow interruptions.

Los Angeles, CA, US

• Hotel Artemis, Babylon Berlin, Fauda, Devs, Hollyblood, Full Metal Alchemist 1-3, Sky High, Sky Rojo, Eva Lasting, Steet Foods, Mrs. America
• Delivered high-quality mixes for over 75 shows spanning over 260 episodes, including the critically acclaimed ‘Babylon Berlin’, ‘Fauda’, and ‘Street Foods’ series.
• Ensured uninterrupted project fulfillment for a team of 10+ editors during the lockdowns, by creating custom tools for remote work to replicate functionality of an inhouse server-grade solution.
• Successfully streamlined FFME workflow, reducing the turnaround time from 4-5 business days to just 2.
• Contributed to the development of the 'Music Slayer' solution, enabling dialogue and vocal separation from composite mixes, which revolutionized music replacement in legacy shows such as 'Party of Five' and 'Dawson’s.
• Led comprehensive training for new and existing staff, establishing protocols and developing resources. Successfully met cross-training targets while reducing workflow interruptions.

Cupertino, California, US

• Minions, The Angry Birds Movie 1 & 2, Despicable Me 3, Smallfoot, Playmobile: The Movie, Curious George 3, The Martian, Sonic Sea
• Mixed the Emmy Award-winning score for the documentary 'Sonic Sea', additionally contributing to its 'Outstanding Music and Sound' accolade by creating a custom, MIDI-guitar-driven modular synthesizer that replicated.
• Streamlined printing and QC processes for high stem count DAW sessions, tripling efficiency and fostering a more operationally accessible environment for staff at all experience levels.
• Worked alongside renowned composer Heitor Pereira performing multifaceted roles encompassing audio hardware and IT maintenance, recording engineering, score prep, staff onboarding, intern training, and international.

As a Production Sound Mixer and Boom Operator, my first priority was always client service. I worked closely with the crew and talent on location, creating an atmosphere of clear communication and understanding. This client-focused approach, paired with a keen ear for technical detail, ensured smooth operations on set.On the technical side, I utilized a.

Upon graduation from Full Sail University, I had the opportunity to intern at the Full Sail Dubbing Stage. My responsibilities encompassed typical intern tasks, like maintaining the studio's cleanliness and organization, but it was a learning ground far beyond these tasks. The internship provided me with hands-on experience in editing Dialog, music, BG.

As an eager student at Full Sail University, pursuing a BS degree in Recording Arts, I took the opportunity to enrich my understanding of the audio field by volunteering as a Sound Designer/Editor at the University's User Experience Lab.My role was multifaceted and challenged me to apply my theoretical knowledge into practical scenarios. My tasks ranged.

As an Apprentice, I gained hands-on experience in various aspects of the live sound and AV sector, along with valuable exposure to recording sessions. My responsibilities were varied, helping to ensure smooth operations of the studio.My tasks ranged from setting up and maintaining practice spaces and live sound/AV setups, managing equipment rentals, to.

Bs, Recording Arts

Bs, Business Management