- Associate producer on Free-to-air / Live Streamed A-League matches and other large OB events such as the Australia Cup Final, Socceroos Asian Qualifiers, Matilda’s World Cup Qualifiers, Australian International Friendlies and EPL Pre-season friendlies around Australia.- Field producer at F1 Australian Grand Prix 2022/2023/2024, working with the hosts in the paddock and pit lane for live crosses and interviews, as well as coordinating RF Cameramen on the fly for live overlay. Produced sales shoots/edits with clients and ENG crews for turnaround same day on-air.- Line Producer on ‘hub-model’ streaming only A-League matches for Paramount+, including Pre/Half/Post shows and world feed commitments.- Assisted in the development of a new Studio for Sport Production. Including creating graphic and screen elements in Photoshop/After Effects, developing workflows for tape and graphic insertion via ATEM, and PTZ automation.- Directing Matilda’s, Socceroos and Australia Cup preview shows in the new Studio. Live Direction of a commentary hosted world feed of the AFC Cup Final and the 2024 Australia Cup Round of 32 Draw - including live crosses/graphics/tape items- Developing, producing and directing a new weekly Digital Show “Round Ball Rules”- Inserts tracking, post coordination and element/inserts delivery to technical providers- Working with producers on rundown development, connecting elements and themes across different rounds and fixtures

- Setup the new AVID systems and workflows for the beginning of the 2021/22 A-Leagues season and the ongoing requirements of the sport department- Editing assets for live football broadcasts across free-to-air, 10Play and Paramount+-Editing and tracking VOD assets for distribution to 10Play and Paramount+-Operating LSM EVS on live football broadcasts for A-Leagues and Australian International matches (Socceroos and Matildas)

The Living Room (2021 Season)- Part of the team that was responsible for all ingest of media for the season, including wrangling cards, downloading third party media and conforming all media to production standards.- Synced, Grouped and Compiled all media into useable and organised multi-cam groups ready for edit.- Assisted with any other queries from Producers and Editors, including general Avid ‘tech support’ and odd jobs.In addition to my role as an Edit Assistant, I completed a fair amount of Assembly Editor work, which included cutting paper scripts and some sequences completely solo.This meant for some parts of the show I would be responsible for bringing in the rushes for a particular shoot and ingesting all the media, then cutting them down and having it ready for an editor to place into a rough cut screening.

-Compliance and News editing. Cutting news packages to a fast approcahing deadline and working with a producer/journalist to bring their vision to the screen.-Creation of bespoke news promos for the network. This work includes gathering material, completing an edit, sourcing Music and SFX and completing sound design, creating an overall look and feel with a visual treatment and then Colour Grading the final product. -EVS Operation (inc. Live rolling, instant replays, highlight turnarounds, segment editing/stitching for live sports AND multiple ISO recording with studio patching/source organisation and QA + transcode for to-tape productions)-Some shows I’ve provided EVS work to include: The Project, Studio 10, RPM, MotoGP, Sport Tonight, V8 Supercars, The Living Room, Hughesy We Have a Problem and Special editions of 10 News First.-Technical Assessment of broadcast files

In this operations role, I am responsible for the management, distribution and preparation of all content across Network Ten.Some of my responsibilities within Content Services include:-Quality assessment-Program/Commercial ingest and preparation-News updates-Liaising between different departments and clients, facilitating their requirements for media-Ensuring Presentation have everything required for the daily schedules, chasing up media as required

I provide live and to-tape EVS services with both LSM and IPDirector.Some shows I have provided both live and/or to-tape EVS work to are: The Project, Studio 10, MotoGP, RPM, The Living Room, Hughsey We Have a Problem, Sports Tonight, Family Feud, GWS Giants ‘Big Screen’, Pointless, and Show Me The Movie.

Production runner and assistant for the ABC 2015 New Years Eve broadcast at the Sydney Opera House.- Assisted the production manager and coordinators in the office throughout the weeks leading up to New Year's Eve.- Worked as a runner on News Years Eve night at the venue.

-Assist in ticketing for the studio tapings and retention of audience for the shoot.-Loading and the audience on the night and cross referencing ticket sales and cancellations.-Assist with any other aspects of the production, including assisting the production team with guests, hosts and the green room.

- Completed 2 weeks as a News Intern, working in the field with journalists and then in the studios across multiple shows.- Completed 2 weeks as a ABCTV Intern, working in the studio as a runner and assistant on a few different shows such as Good Game, PlaySchool and Media Circus- Continued on and joined the Media Circus team as a Production Intern and Audience Assistant for 2-3 days a week for the duration of the production after my original 4 week internship finished.