THE OPERA SINGERRoman by birth and education, he boasts over 20 years of professional opera singing as a tenor. He has over 15 roles in his repertoire, debuted in Italian and foreign theaters alongside famous conductors and colleagues, and has performed, during his career, on numerous Italian and foreign stages, including some very prestigious ones such as the Teatro del Maggio Musicale Fiorentino in Florence, the Teatro Regio in Turin, the Opéra-Comique in Paris. This in many main roles of the great operatic repertoire such as Alfredo (La traviata), Andrea Chénier, Calaf (Turandot), Cavaradossi (Tosca), Don José (Carmen), Ismaele (Nabucco), Macduff (Macbeth), Manrico (Il Trovatore), Pinkerton (Madama Butterfly), Pollione (Norma), Radamès (Aida), Turiddu (Cavalleria rusticana).His concert activity is also intense: over 120 concerts and operatic recitals in the three years preceding the 2020 pandemic. Activity that led him to perform, among other places, at the Parco della Musica in Rome (Sala Sinopoli), at the Astana Opera and at the Karaganda Opera (Kazakhstan).Over the years Alessandro has had the opportunity to collaborate with internationally renowned conductors, directors and singers, including: Evelyne Aïello, Arman Azemoon, Walter Attanasi, Norbert Balatsch, Stefania Bonfadelli, Maria Luigia Borsi, Micaela Carosi, Alessandro Corbelli, Massimo de Bernart, Francesco Ellero d'Artegna, Claudio Desderi, Nicola Luisotti, Alberto Meoli, Paolo Miccichè, Stuart Maunder, Bruno Rigacci, Massimo Scapin.THE SINGING TEACHERFor some years he has dedicated himself, with equal passion and interest, to vocal teaching and has held numerous lessons, both in person and online. In addition, "masterclasses" and courses in vocal technique and interpretation, in Italy and abroad.As for the teaching method, it is completely based on the Italian bel canto school, therefore on naturalness, with the indirect control of vocal emission, as the backbone at the center of teaching.The best possible vocal technique is in fact the one that does not interfere with natural automatisms and therefore does not replace them with coarse actions such as direct and voluntary mechanical muscular control: naturalness therefore as a skill to be acquired.The lessons are held in Italian.