Alex Levis Email and Phone Number

- Executive-in-charge of all livestreams, original video, sponsored social video, and library video for the top global entertainment news brand

- Created an original slate of scalable digital and linear non-scripted culinary lifestyle series concepts, including cooking tutorials, game shows, travel shows, home improvement shows, documentaries, and docusoaps- Developed content strategy and series pitch materials based on trends, data, and insights to secure pre-seed and seed funding- Pitched creative to investors, strategic partners, and potential buyers- Managed, delegated, and collaborated with founding team members, contractors, and production partners on series deliverables

- Led development strategy for lifestyle vertical, overseeing critical partnerships with E!, Bravo, Oxygen, Telemundo, and Bluprint, and tentpoles such as New York Fashion Week and red carpet & awards season- Managed ​9 teams​ of producers, editors, and graphic designers, oversaw pitches and casting, reviewed episodic materials, and gave notes throughout all phases of development and production- Coordinated with legal and BA teams to execute talent deals, rights clearances, and episodic approvals- Functioned as the EP and executive in charge of all lifestyle programming including:○ CLOSE UP BY E! NEWS​ ​(2020) – developed, sold, and oversaw production of a ​52-week, 5-episodes per week series order from Quibi, and launched the show remotely during COVID-19 shutdown○ MAKER KNOWS BEST (​2020) – developed and oversaw production of ​8 episodes​ for Bluprint's YouTube channel○ KEEPING UP CON LOS KARDASHIANS ​(2019-2020) – developed and oversaw production of ​15 episodes ​for KUWTK YouTube channel, which garnered ​321,000+ average views​, was the channel’s 2nd highest subscriber driver and had one of the channel’s highest click-through rates○ CELEBRITY CONSPIRACY THEORIES (​2019) – developed, co-wrote, and oversaw production of ​8 episodes​ on Snapchat○ WHAT THE FASHION​ (​2018-2020) – developed and oversaw production of ​3 episodes​ on Twitter Live and 154 episodes​ on Snapchat, which garnered ​51.5M​ UV's, generated ​$2.5M+​ in revenue and had ​2.9x higher​ than average engagement in the women’s lifestyle category. Developed and produced a linear pilot for E! Entertainment○ FACE FORWARD​ (​2017-2019) – developed and oversaw production of ​40 episodes​ on Snapchat, which garnered 55.2M​ UV's, generated ​$2M+​ in revenue and had ​3.2x higher​ than avg. engagement in the women’s lifestyle category. Oversaw execution of integrations for ​Abercrombie & Fitch​ and ​L'Oréal, generating ​$1.5M+​ in revenue and a ​4.5% lift​ in purchase intent​ ​for A&F

- Developed and creative produced ​8 episodes​ of ​VIVIAN​ ​(2018) and ​10 episodes​ of ​CAMP RUNWAY f​or Snapchat, which garnered ​7.11M​ and ​6.85M​ unique viewers, respectively, and managed production partnerships with Wilhelmina, IPC and Above Average- Developed and creative produced the launch of E!’s linear late-night talk show ​NIGHTLY POP​ ​(2018)- Won a Webby, Cablefax and Telly Award for ​FACE FORWARD (2018), named ​Best Snapchat Discover Publisher ​by Digiday- Oversaw internal brainstorms, sourced pitches, and prepared materials for greenlight, including decks, sizzles and presentations.

- Supervised day-to-day operations of CNE president Dawn Ostroff’s office, which oversaw the annual production of 4,000+​ pieces of original digital content, averaging ​1B+​ monthly views, as well as television series including Netflix's LAST CHANCE U, Investigation Discovery's VANITY FAIR CONFIDENTIAL, and Amazon's THE FASHION FUND, and films including FIRST MONDAY IN MAY (Magnolia Pictures), ONLY THE BRAVE (Sony Pictures Entertainment), and THE OLD MAN AND THE GUN (Fox Searchlight)- Evaluated director and film submissions for acquisition and/or incubator programs including Project HER in collaboration with Indigenous Media- Assisted with giving casting feedback, reading and noting scripts, reviewing dailies, and managing producer communications- Developed and pitched original and adapted film, scripted and alternative television concepts- Developed and produced content for O&O sites as well as emerging platforms

- Handled professional and personal logistics for clients including Christopher Nolan (during INTERSTELLAR post-production and release), Jay Roach (during TRUMBO production), David Dobkin (during THE JUDGE post-production and release), and Jim Carrey (during DUMB AND DUMBER TO publicity & premiere)- Prepped clients for meetings with studio or producer-relevant projects, industry news, and box office history; maintained grids for follow-up- Tracked client deals, payments and commission breakdown- Analyzed written and visual client material and provided detailed feedback- Coordinated extensive high-level international and domestic travel

- Handled professional and personal logistics for clients including Russell Crowe (during NOAH publicity & premieres), Ridley Scott, Dominic West (during THE AFFAIR pilot shoot), and Catherine Zeta-Jones- Covered and pitched active projects directly to clients in both the Talent and MP Lit departments- Liaised with producers and financiers on offers and deal points for various projects

- Handled professional and personal logistics for clients including Gareth Edwards, Baltasar Kormakur, and Sylvester Stallone- Managed general office duties including heavy agent and client scheduling, submissions, and phones- Assisted in studio coverage for MGM, Lionsgate-Summit, The Weinstein Company, Lakeshore, and Dimension- Organized monthly MP Trainee meetings with internal agents, HR, and industry guest speakers

- Managed general office duties including scheduling, submissions, and heavy phones- Assessed incoming submissions to determine their creative potential as projects for the company- Assisted managers in creating and updating tracking grids for ODA’s, OWA’s, and potential clients

- Read scripts and wrote weekly coverage on deadline- Completed various company and client projects for assistants and agents in all departments- Assisted with the planning and execution of company and client events- Archived daily and weekly trade and magazine articles- Created documents distributed company-wide and publicly, including daily e-briefs and agent biographies

- Read scripts of films in production to determine target audiences, as well as promotional and business opportunities- Oversaw publicity-oriented research projects for THE KIDS ARE ALL RIGHT, THE AMERICAN, IT'S KIND OF A FUNNY STORY, SOMEWHERE, and JANE EYRE, including working with specific consumer markets- Conceptualized and coordinated promotional campaigns with restaurants, bars and theaters to promote THE KIDS ARE ALL RIGHT