Score Composer For Film, Games, And Media
CurrentArranged and composed music tracks for film, video games, and general advertising. Mixed, mastered digital tracks and prepared them for distribution on CD, DVD, and digital distribution.
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Alia Synesthesia is listed as Film Composer for Horror & Opera | Alia Synesthesia. Also, a UX Engineer. at Self-Employed, a with 225561 employees, based in Greater Toronto Area, Canada. AeroLeads shows a matched LinkedIn profile for Alia Synesthesia.
Alia Synesthesia previously worked as Score Composer for Film, Games, and Media at Alia Synesthesia and Reviewer & Mixing/Mastering Engineer at Brutal Resonance: Electro Industrial Music Magazine.
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A versatile promoter and live sound technician with a solid 3+ years experience in the industry is looking to contribute her skills to a growing live music business. Have an exceptional sense of tact and conflict resolution, agile and easily adaptable to any working environment.
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Toronto, Canada Area
Arranged and composed music tracks for film, video games, and general advertising. Mixed, mastered digital tracks and prepared them for distribution on CD, DVD, and digital distribution.
Freelance content writer and reviewer for Brutal Resonance: Electro Industrial Music Magazine
Toronto, Canada Area
Working as a freelance doors person and security guard for live music events. Responsibilities include: - Handling cashbox as if I was born with it- Checking in attendees- Providing accurate change As a Security Guard: - Ensure that patrons have an enjoyable night without unnecessary distractions- Checking identification - Ensuring that inebriated patrons are safely escorted to enjoy the rest of their evening - Resolving conflicts smoothly, effortlessly and courteously
Toronto, Canada Area
Working as a freelance A/V and Sound Technician for local music events. Duties include but not limited to: - Assembling backline- Micing drum sets and amplifying other acoustic equipment- Reading tech riders and assembling stage equipment according to the riders standards- Mixing the live sound- Troubleshooting feedback and other issues
Toronto, Canada Area
Working as a music promoter at Dentata Music. Responsibilities include:- Booking and communicating with artists, venues, venue bookers and sound technicians- Creating and providing Immigration papers and contracts to artists- Advertising, promotion and digital media promotion- Coordinating the event personnel (doors, sound tech, bar staff) to ensure a smooth duration of the event- Booking opening bands- Settling Finances by the end of the night- Booking artist accommodations and transportation
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Worked as a graphic designer, UX Engineer, and Web/Software designer for various industries since 2012. 2012 - 2015 I was self-employed and worked for small and medium businesses at GWBC (Guelph-Wellington Business Centre). Essentially I worked as a one-stop shop: did eCommerce consulting, UI/Graphic design, UX design, Web Development, WordPress Development and etc. 2016-2018 I worked for Lorex Technologies (eCommerce platform) where I was doing UX Engineering and Development. 2019 - 2021 (current) I worked for FinTech/PropTech industry and designed interfaces/built CRM for Brokerages. There are many many more examples of my work, if you are interested, please get in touch and I will link my secondary LinkedIn account. Throughout all this time, I also freelanced: built wonderful interfaces and layouts, designed graphics, merchandise, and did some heavy development lifting for podcasts, artists, promoters and venues.
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Alia Synesthesia works for Self-Employed.
Alia Synesthesia is listed as Film Composer for Horror & Opera | Alia Synesthesia. Also, a UX Engineer. at Self-Employed.
Alia Synesthesia is based in Greater Toronto Area, Canada while working with Self-Employed.
Alia Synesthesia has worked for Alia Synesthesia, Brutal Resonance: Electro Industrial Music Magazine, Self-Employed, Dentata Music, and Oraboros.
Alia Synesthesia's colleagues at Self-Employed include Kiara Suggs, Aa Co, Mostafa Lamei, John Mcfadden, and Duncan Cannon.
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