Leads creative and technical teams through the design, load-in, tech, and preview process for entertainment productions while keeping a clear and constant line of communication open with the general managers and producers for each individual show. Maintains the production’s labor and material budgets from pre-production through post-production. Establishes and maintains a safe working environment for crew, technical staff, and artists in all theatrical and event venues with facilities and layouts that vary greatly from one to the next. Hires and trains all production crew who remain with the show throughout the performance schedule. A full list of shows can be found in my Theatre Resume (Attached above).

Event Manager for private/corporate parties and meetings, weddings and special events: Event Management Responsibilities include but are not limited to: - Organizing and maintaining production or event budgets. - Hiring all vendors and event crews. - Generating and maintaining event schedule. - Maintaining a clear line of communication between all relevant parties. - On-site supervision on day of event. - Assisting in design of event space layout. - For high profile events: Coordinating with talent managers and assistants on all rider needs i.e. dressing rooms, craft services, travel, and lodging logistics. List of Select Events:Associate Producer of Events with Production Resource Group (as Freelance) * IPW 2016 with US Travel Association (New Orleans) * ChannelCon 2016 with CompTIA (Ft. Lauderdale) Event Management Staff and Stage Manager* Cabaret Gourmet: 2013 Annual Fundraising Event for The Play Company at The American Airlines Penthouse* Bon Jovi Private Event Concert 2012 (Event Coordination by Hollywood Pop Gallery)Event Management Staff* Deutsche Bank GEMS Conference The Waldorf Astoria 2014 * City MD Forum The Sheraton NY 2014* Barclays CEO Energy-Power Conference The Sheraton NY 2014* Citi Annual Shareholders Meeting in NY 2015

Worked as the Production Stage Manager for the Mainstage theatre. Responsibilities included:- Attending and running production meetings.- Generating rehearsal schedules, working as a liaision between the actors/ director and the production manager- Running technical rehearsals and performances; Calling cues, checking actors attendance, recording performance times, maintaining a safe working environment for actors and crew. - Generating paperwork on all elements of scenic, property and set movement that would transpire backstage during the show.- Managing rehearsals (attendance, locations, times etc.) and generating daily production reports.*Other responsibilities included but were not limited to: - Working as the production assistant on over eight shows: Worked as assistant properties designer, backstage help, light board operator, and as a runner for the stage manager of that particular show. - Acting as the assistant to the production manager.- Organizing and filing paperwork.- Administrative assistant to the office staff.

Primary librarian for a theatrical resource room. Responsibilities included: - Scheduling meetings for staff, professors, theatre groups and students to use the several different resource areas (including the television media room, the music library, the conference room and the open play reading space). - Cataloging the vast influx of materials (playbills, Dvds, plays, textbooks, Cd's as well as scenic ground-plans, and costume designs, to name a few) that would arrive to the resource room on a daily basis. - Operating the SirsiDinix Cataloging system to record patron information, check out books and catalogue all new materials. - maintaining a clean, quiet and helpful resource environment.

Theatre, film, and event company dedicated to providing young artists with a hands-on outlet to explore and hone their theatrical skill-set while working on fully realized entertainment productions. Proceeds of productions were used towards funding philanthropic ventures in both the U.S. and abroad. Responsibilities included, but were not limited to: - Creating, maintaining and distributing an annual production calendar which included all production meetings, designer deadlines, auditions, rehearsals, tech weeks and performance dates for the full season of shows, events and film productions. - Recording all budgetary documentation and overseeing all expenditures for each production (costumes, properties, scenic, lighting, sound, music and special effects).

I Am My Own Wife by Doug Wright Director and DramaturgA one man play based on the story of Charlotte von Mahlsdorf, a male german transvestite who not only survived, but thrived in East Germany though-out the oppression and destruction of World War II, the Nazis, the Stasi's, the Cold War, and the rise and fall of the Berlin Wall all while wearing a dress. The script requires a single actor to portray 27 characters throughout the play including the characters of Charlotte von Mahlsdorf and of Mr. Wright himself.Liberty As A Man by Lea Roy DirectorLiberty as a Man is a play with music that examines the Americanization process faced by Latina women. The play focuses on two sisters, one just out of college, the other in her last year of high school and a central, every changing male figure who represents American oppression over latino/a's but more importantly, Male oppression over women.