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@playbill.com
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Amy Asch is listed as I love to organize and share information. I am a detail-oriented researcher/editor/proofreader curious about many subjects, with a special interest in musical theatre, film and popular song of the 1920s, '30s and '40s at Playbill, a company with 111 employees, based in New York, New York, United States. AeroLeads shows a work email signal at playbill.com, phone signal with area code 212, and a matched LinkedIn profile for Amy Asch.
Amy Asch previously worked as Program Editor — Regional Theatres and Classic Arts at Playbill and Freelance Proofreader/Copyeditor/Factchecker at D'Adamo Personalized Nutrition. Amy Asch holds Ba, Cum Laude, English Literature from Columbia College, Columbia University.
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AeroLeads found 2 current-domain work email signals for Amy Asch. Compare company email patterns before reaching out.
Looking for a bright, dependable person who is great with details and deadlines and eager for you to achieve maximum results? I can be your secret weapon for a short- or long-term project.I have worked at Playbill (program publisher for Broadway shows and myriad performing arts venues across the US) for 10+ years, moving up the ranks and across departments in the roles of part-time data entry/editor for website listings; full-time proofreader for the Broadway Yearbook series; regional theatre print production coordinator; and as a program editor (InDesign) for out-of-town venues.Even when I'm not officially proofreading, I am a resource for quality control. While packaging advertising and program content for Playbill's printers, I regularly found typos and flagged out-of-date advertising text. I'm the kind of person who double-checks that page numbers in the Table of Contents are accurate. It comes naturally to me, and I've got the sharp eyes and wide general knowledge to do it well. Outside of my 9-5 work at Playbill, I've done extensive research about musical theatre and American Popular Song for books, concerts, documentaries and appraisals. Equally comfortable in archives or online, I love finding out the stories behind the songs. Setting up systems to keep track of content and sources gives me tremendous pleasure. After working as an assistant to renowned historian Robert Kimball on The Complete Lyrics of Irving Berlin, I had the honor of researching and annotating The Complete Lyrics of Oscar Hammerstein II (Knopf, 2008), and the delirious pleasure of publicity in the New York Times and on NPR. With British musicologist Dominic McHugh, I was co-editor of The Complete Lyrics of Alan Jay Lerner (Oxford University Press, 2018). The quality of the reports I wrote for the Library of Congress about four filing cabinets worth of Irving Berlin's office correspondence and unpublished songs led to my being hired by the family of the late Broadway composer/lyricist Jonathan Larson (Rent). I went through hundreds of audio tapes and stacks of manila envelopes to build a Filemaker Pro database of details about 50+ theatre, dance and video projects (almost 400 songs) and described them in a catalog of works.ALSO: background research for songwriter tributes in the 92nd Street Y's "Lyrics & Lyricists" series; research for the PBS documentary "Oscar Hammerstein: Out of My Dreams;" fact-checking episodes of PBS's documentary series "Broadway: The American Musical;" basic song copyright research.
Listed skills include Lyrics and Education.
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New York, New York, United States
Re-hired after pandemic furlough to prepare Playbills (see details below) for 6 venues that host touring Broadway shows, and for original productions at the Walnut Street Theatre (Philadelphia).Also lay out programs (InDesign) for performances at Playbill's Classic Arts venues, including New York Philharmonic, Juilliard, Jazz at Lincoln Center, Chamber.
Norwalk, Connecticut, United States
Ensure spelling, grammar, punctuation and accuracy of information for 4yourtype.com's marketing emails, product pages, recipes and essay-length blog posts on various health and wellness topics in connection with Dr. Peter D'Adamo's Blood Type Diet.
New York, New York, United States
Both aspects of my job required supreme attention to detail, respect for deadlines, and the ability to keep multiple projects moving forward. I collated ads, performance details and editorial content to make Playbills for 40 venues across the United States, working with 3 production managers, 6 program editors, and 3 printers. I was also a program editor.
New York, New York, United States
I was the primary proofreader and copyeditor for Playbill's ten Broadway Yearbooks, each packed with photos, cast info and trivia from every show that ran during the season.As proofreader I made sure that every Michelle and Michele, every Jonathan and Jonathon was accurately identified. I verified dates, plot points, photo captions and credits, and also.
Proofreader and junior copywriter for mini advertising agency within the publishing department of this weekly magazine. Our materials promoted New York Magazine's editorial excellence, upcoming special issues and the buying power of our subscribers. I learned about ad sales, and worked for the first time with an in-house style manual.
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Yadira Mitchell
Colleague at Playbill
New York, New York, United States, United States
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Ethan Treiman
Colleague at Playbill
Berkeley, California, United States, United States
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Michael Heavey
Colleague at Playbill
Greater Sydney Area, Australia
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Dalconerys Reyes
Colleague at Playbill
Bronx, New York, United States, United States
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Clara Ramirez
Colleague at Playbill
Naucalpan De Juárez, México, Mexico, Mexico
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Gavan Sandford
Colleague at Playbill
Greater Sydney Area, Australia
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Michael Taratuta
Colleague at Playbill
North District, Israel, Israel
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Sally Hulbert
Colleague at Playbill
Los Angeles, California, United States, United States
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Jana Mallo
Colleague at Playbill
New York, New York, United States, United States
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Ray Sierra
Colleague at Playbill
New York City Metropolitan Area, United States
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Activities and Societies: Columbia University Glee Club (Beethoven 9, Carmina, Liebeslieder, Bernstein's Mass)
Activities and Societies: During my year as a visiting student at Clare College, I read Part One of the English Tripos, plus a lot of.
Activities and Societies: Choir, musicals and plays, orchestra (viola)
Quick answers generated from the profile data available on this page.
Amy Asch works for Playbill.
Amy Asch is listed as I love to organize and share information. I am a detail-oriented researcher/editor/proofreader curious about many subjects, with a special interest in musical theatre, film and popular song of the 1920s, '30s and '40s at Playbill.
AeroLeads has found 2 work email signals at @playbill.com for Amy Asch at Playbill.
AeroLeads has found 1 phone signal(s) with area code 212 for Amy Asch at Playbill.
Amy Asch is based in New York, New York, United States while working with Playbill.
Amy Asch has worked for Playbill, D'Adamo Personalized Nutrition, Complete Lyrics Of Oscar Hammerstein Ii (Knopf, 2008), Estate Of Jonathan Larson (Music/Lyrics/Script Of Broadway Musical Smash Rent), and Estate Of Irving Berlin.
Amy Asch's colleagues at Playbill include Yadira Mitchell, Ethan Treiman, Michael Heavey, Dalconerys Reyes, and Clara Ramirez.
You can use AeroLeads to view verified contact signals for Amy Asch at Playbill, including work email, phone, and LinkedIn data when available.
Amy Asch holds Ba, Cum Laude, English Literature from Columbia College, Columbia University.
Amy Asch is listed with skills including Lyrics and Education.
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