Anders Elfgren Email & Phone Number

Stockholm, Stockholm County, Sweden

Too early to tell what this will hold, but I am quite excited!

Tyresö, Stockholm County, Sweden

ControlZee is the company behind dotbigbang, a game development platform that runs purely on the web. I worked in the Creative Relations team, an elite squad of amazing people tasked with a wide breadth of tasks. Here is what I did as part of my job:- I worked on Preston's Diamond Wars, a team-based multiplayer shooter tie-in with one of the largest.

Stockholm, Sweden

At Warpzone Studios I did all manner of exciting things! Mainly gameplay, engine and tools programming, but also game design, pitching, community management, streaming and video producing, bizdev, patch notes writer, copywriting, co-ran the company, and more.

Stockholm, Sweden

I and the Pixeldiet guys worked together with Arrowhead Game Studios for their upcoming project. I implemented gameplay and tools features and integrated one or two years of custom changes into the newest version of the Stingray engine.

Stockholm, Sweden

This was a six-month contract for the Autodesk Stingray engine. I'm worked in the tools/entities team. Work included components and entities, optimization, bug fixing, UI improvements, and more.

Stockholm, Sweden

I joined Stardoll for a quick contract to help them out with some specific tasks. I optimized their Unity mobile game Fashionista, which was interesting as I have only played around with Unity for some minor prototyping before. I then worked on fixing bugs in an SWF renderer written in Javascript.

Stockholm, Sweden

I joined Fatshark as a consultant in 2014, working on player and gameplay mechanics for Warhammer End Times: Vermintide.I worked on many things throughout the project, including: Player mechanics, AI, UI, Network, Matchmaking, Performance optimization, Debugging tools, and more. This was mainly done in Lua but I also frequently dug into C++ when I needed.

Stockholm, Sweden

I worked on the Paradox North title Magicka: Wizard Wars, for a bit more than a year. It's a hard-to-describe game that looks like a MOBA but plays like a fighting game, is both challenging and honestly a whole lot of fun. I joined the development a few months after the rest of the Pixeldiet crew built up the core of the gameplay. I've since worked on both.

Stockholm, Sweden

Working as a lead programmer on The Showdown Effect is something I will always remember dearly. It is a game I am extremely proud of, if for no better reason than that I've had so much fun playing it. Working together with Arrowhead, a company that is almost dangerously close to being a family, was a ridiculous amount of fun:) The game is built on the.

At Rockstar I worked on several tools. I refactored a large C# WinForms application which used threads and communicated over the network with the game in order to create a core code base for another tool that I wrote which worked as a proxy between any tool that wanted to connect to the game and the game itself. Previously it was only possible to run one.

As the Lead of the Tools team on APB, I manage three great software engineers, oversee the need for new tools, investigate improvements to our pipelines, prioritize tasks, develop tools when I have the time, and in general have a lot of fun.:)

My main responsibilities as a tools developer for APB at Realtime Worlds was to build localisation tools and visualisation tools for collected data/metrics from the live game service. This was an interesting time for me as it was my first contact with MMO development and deployment.

I designed, developed, and supported the tools used at Avalanche Studios for creating Just Cause 2 and The Hunter. I've also been pretty much everywhere in the company's code base, finding and fixing bugs of various kinds, and implementing features. I constantly interacted with people in different fields of expertise; level designers, artists, QA, and.