• Managed budget and schedule though multiple creative evolutions during production and post.• Built an 80-person team, engaged vendors, and facilitated logistics for filming in Minneapolis, MN. • Managed production legal, accounting, and insurance/risk, while liasing with studio & network partners.

• Led physical production and post of multiple projects simultaneously, including two Netflix Original documentary series, branded spots for Nike, and an Academy Award-winning scripted short film.• Developed and managed production budgets up to $7 million and teams of up to 70 people.• Led company operations through the COVID-19 pandemic, ensuring health and legal compliance, innovating workflows, and adopting new technology solutions for remote editorial and finishing. • Negotiated production service contracts and logistics for international shoots in Europe, Asia, and Africa.• Managed production legal, accounting, payroll, and insurance; liason with corporate finance.• Implemented and refined production policies and procedures to maximize staff productivity.• Maintained effective communication with all departments and stakeholders, including clients and networks, executive producers, directors, vendors, and post-production teams.Projects delivered include:• “Two Distant Strangers” *Oscar-winning Live Action Short* (Netflix)• “Heist” (6x60min true crime docu-series) (Netflix)• “We are the Champions” *Sports EMMY nominated* (6x30min docu-series) (Netflix)• "Why We Fight - Season 2" (7x45min docu-series) (ESPN+)• "Wiz Khalifa: Behind the Cam" (5x10min docu-series) (Apple)• "Religion of Sports – Season 3" (6x60min docu-series) (Audience Network)• Numerous commercials for NIKE and other clients.

• Supervised physical production and post of multiple projects simultaneously, including one EMMY-winning and two EMMY-nominated documentary series, and branded spots for Nike.• Created and managed project budgets up to $5 million and teams of up to 50 people.• Supervise hiring of line producers and key creative crew, working with showrunners to build teams.• Negotiated production service contracts and logistics for international shoots in Europe, Asia, and Africa.• Managed production legal, accounting, payroll, and insurance; liason with corporate finance and risk.• Implemented and refined production policies and procedures to maximize staff productivity.• Introduced use of Airtable as a database tool for the company and led database design and training. • Ideated, supervised, and created behind-the-scenes assets.• Researched developments in technology and production and adopted new tools and processes that improved the quality and efficiency of productions, including VR/360.• Maintained effective communication with all departments and stakeholders, including clients and networks, executive producers, directors, vendors, and post-production teams.Projects delivered include:• Shut Up and Dribble (3x60min documentary series) (Showtime) *Nominated for EMMY and NAACP awards• Tom vs. Time (6x15min docu-series) (FaceBook Watch)*Winner, Sports EMMY for Outstanding Serialized Sports Documentary• Religion of Sports – Season 3 (6x60min docu-series) (Audience Network/AT&T)• Religion of Sports – Season 2 (6x60min docu-series) (Audience Network/AT&T)• Why We Fight (8x45min docu-series) (Go90/Verizon)*Nominated for a Sports EMMY for Outstanding Serialized Sports Documentary• Numerous commercials for NIKE and other clients.

•Created and managed budgets and schedules for documentary series and commercial production and post.•Negotiated production service contracts and logistics for international shoots in Canada, Europe and Africa.•Managed safety, risk, insurance, and production legal including contractual, clearance, E&O, and fair use.•Managed relationships with clients and networks.Projects delivered include:• “Breaking 2” (Feature Documentary) National Geographic o Winner AdAge Best Marketing Campaign of the Year o Winner Cannes Lions GOLD and BRONZE o Winner One Show Golden Pencil, Winner Sports Clio o Nominated for a Sports Emmy for Best Editing o Live Stream Event had 20 million viewers and 2 trillion social impressions• “Religion of Sports” Season 1 (6x60min docuseries) Audience Network• “David Ortiz: The Last Walk Off” (5x10min docuseries) ESPN• “Uninterrupted Presents” (6x10min docuseries) Uninterrupted

Founded and operated motion picture production company producing independent feature films, corporate and branded content. • Clients included will.i.am (of the Black Eyed Peas), Ketel One/Diageo, and Antioch University.• Winner, Los Angeles Film Critics Douglas Edwards Experimental/Independent Film Award 2014: “The David Whiting Story”

Responsible for creating and executing the visual design of various forms of motion pictures, recorded on film, tape, and digital formats. Worked closely with the Director and Producer and other key crew to create evocative visuals that serve the specific needs of the project, doing so within the limitations of schedule and budget. Clients include: ABC, A&E Networks, The Annenberg Foundation, Antioch University, Atlantic Records, CBS, Channel 5/US [UK], Chase Bank, Clorox, Creative Commons, Deloitte, Disney, Dodge/RAM, Edison Schools, Esquire Network, Food Network, FX Networks, HBO, HGTV, KCRW, Ketel One, Lexus, LionsGate, Malibu Rum, Mazda, Merck, MSNBC, NBC, Nickelodeon, Olay, OWN, Sony Pictures, Sony Records, Scion, Travel Channel, Travelers Insurance, Universal, Universal Music, VH1, Virgin/EMI, Warner Bros., 20th Century Fox.