Cinevative is the leading producer of pre-production TV commercials, Web/Social Media promos, and In-Cinema/Lobby Displays for the performing arts and live entertainment. Through our innovative use of motion graphics, live action, and visual effects design, we communicate the power of the live-audience experience on-screen, dramatically increasing ticket sales for each of our clients. Line-producing in the field to editing/post production and everything in between. I take part in helping to shape the messaging of many projects, deal with many clients on a one-on-one basis, and participate heavily all the way from pre to post production. Specific job duties include: - Create concepts for Social Media for various organizations within brand guidelines- Pitch to and interface with clients- Line Produce any practical (interviews, red carpets etc.) or green screen shoots- Assist in creative from copywriting to editorial (Adobe Premiere + After Effects)- Schedule production crews and daily post production milestones and deadlines- Oversee P&L, assist in budgeting and Payroll Operations

Neon Soapbox is an independent music label and content + music consultancy for content creation teams and musicians. Managed Artists like Sage Charmaine (now signed to TAG Music) in all facets of her career from visual content to A&R, publishing and touring (2016-2020); consulting on songs for artists like Vesperteen and award-winning producer PJ Bianco. Produced photoshoots and PR assets for artists like FINNEAS, I DON'T KNOW HOW BUT THEY FOUND ME, Julian Moon and more. Produced Music Video for Sage Charmaine, directed by Brian Friedman (Britney Spears) and Choreographed by Tassandra Chaves (So You Think You Can Dance?), for "June" which hit 100K streams in its first weekend on Spotify (currently at 2M+ on Spotify). In 2021, Neon Soapbox expanded into an independent label, focusing on growing artists they truly believe in. The company now provides everything from artist management and production, to hyper-targeted marketing and influencer partnerships.

Do you need a good laugh at the expense of someone else’s relationship fails? Whatangiesays is essayist Angie Piccirillo’s free weekly newsletter, reliving and retelling some of her worst dates. And even though Carrie Bradshaw is an icon, none of them have “…I couldn’t help but think” in them. Subscribe for encounters with uninterested rock stars and other terrible stories she still thinks about too much. www.whatangiesays.substack.com

Most recently published in LA Times; Former Editor-At-Large for LadyGUNN Magazine, Current Contributor and Freelance Writer for various publications including Green Entrepreneur, Consequence of Sound, Galore Magazine, Alt Press, Nylon, Paste Magazine, Inked Magazine, Ones To Watch (Owned by Live Nation), Huffington Post (Contributing Blogger) and The Plaid Zebra.

For over ten years, I've been involved with creating concepts, directing & producing short films, commercials & music videos. My creative skills are enhanced by my technical skills, in that I often participate in the process all the way from bidding/budgeting, technical workflow with crew, production management and the creative vision/follow-through, including editing and creating music/graphics for projects.

Managed technical workflow & creative resources for all projects in the ITVMC division. Helped to build new iTVMC division, structure and protocol for all business and creative accounts. Tasks include:- Created, implemented and monitored changes to daily design/motion production & editorial schedule -Created, implemented and updated guidelines and protocols for all work orders submitted for projects - Negotiated with, and hired both staff & freelance motion production artists, post production supervisors, digital designers, static production artists, offline editors/assistant editors, coordinators, and production assistants. - Proactively anticipated budget, schedule and pipeline for all projects - Initiated and scheduled all bids and workflows to outside vendors including film labs, digital post facilities, sound facilities, and equipment providers, among others.- Implemented and attended various post production & project meetings, as required.- Liaison with finishing department within Trailer Park to deliver the necessary elements required for domestic and International Deliveries (either for Editorial or graphic workflows)-Managed several teams totaling over 30 direct reports (staff and freelance) Achievements:Oversaw implementation of Nuke 7/Davinci Resolve/4K Workflows for Motion Production ArtistsOversaw camera, lighting and grip equipment purchases and internal rental protocol Created and expanded work order system to include motion production, static production, editorial, loggers, coordinators and various other types of work Set up equipment and software purchases, all staff, & work order system for a 10 person dedicated team (specific account)Oversaw addition of "Junior Producer" role, plus numerous other staff and role additionsTook part in many RFP's for large accounts requiring dedicated staff and technical resources, and implemented protocols when accounts were won

Coordinated & scheduled freelance offline editors & assistant editors for specific projects & served as liaison between Advanced Content & internal Finishing department. Supervised & created workflows, calendars, external equipment rentals & purchases, tracked progress and billing from shoot to finish for various domestic & international content deliveries. Also, specialized in graphics management & workflow (After Effects/Flame) as it pertained to post production/editorial, Pre-production consultation & production, as well as Live-action Director/Producer and consult. Achievements: Achieved various staffing additions within post production departmentCreated work order/ticketing system for producers to submit work requests to editorsOversaw departmental switch from Facilis to Xsan

Created efficient & cost effective workflows from pre to post production, combining technical, supervisory, & creative skill sets in order to deliver consistent & quality EPK/Marketing, DVD/BluRay content for various feature films & television shows. Specializes in: picture online, color correction approval, audio mix approval & layback, scheduling, coordination, purchase orders & rentals, & technical support for various HD/SD workflows. Achievements:Oversaw and Planned install and implement of 9 edit bay facility with HD machine roomOversaw implementation and yearly maintenance of 100TB SANmp and LTO archival systemCreated and oversaw all editorial protocols for all freelance Assistant Editors and Offline Editors

Lead Assistant Editor for Becoming Miss America [CMT], Season One and Pilot for Dress My Nest [Style] and Editor for ExerciseTV Interstitials [Style].

Assistant Editor for Ace of Cakes [Food Network] and Cities of The Underworlds [History]

Dubber/Tape Vault/Digitizer for House of Carters [E!] and Sons Of Hollywood [A&E]

Editorial Assistant for The Real World: Key West [MTV] and The Simple Life 4: Til Death Do Us Part [E!]