Briana Aeby Email & Phone Number

Identified and reviewed multiple anonymous scripts and novels, providing valuableinsights and feedback to improve overall quality.

Ensured 100% higher accuracy in AI legal transcription through thorough cross-checking,proofreading, editing, and research, resulting in improved quality of legal documents.

Los Angeles, California, United States

Created, populated, and maintained a comprehensive shot and asset tracking databasein Google Docs for 100+ shots from 4 vendors in Los Angeles, the Midwest, Oregon, andVancouver.Efficiently scheduled and reviewed shot approvals with showrunners and post team afterrevising and approving vendor progress and finalsRigorously quality checked all shots.

Greater Los Angeles, California, United States

Organized and cataloged assets from previous seasons of a popular Netflix show,streamlining the production process for the final season.Successfully managed the LA office in collaboration with the Toronto team and Canadianvendors, ensuring efficient cross-functional operations such as actor scans, driveshipments, and VFX Supervisor's personal.

Los Angeles, California, United States

Successfully coordinated a remote ATL production crew to efficiently schedule andexecute actor scans, ensuring timely completion of the process.Effectively coordinated, managed, and scheduled vendors in multiple locations, includingLos Angeles, Vancouver, and Toronto, to optimize workflow and meet project deadlines.Created, maintained, and duplicated a.

Greater Los Angeles Area

Efficiently tracked, managed, transferred, and organized shot counts per episodethroughout the network television production pipeline of 110+ episodes in 7 seasons,collaborating closely with the VFX Producer, VFX Supervisor, and VFX Editor to ensuresmooth communication and coordination with multiple vendors and production crew forhigh quality visual.

Greater Los Angeles Area

Produced over 50 high-quality CG shots for pilot, collaborating with executives, postproduction, VFX supervisor, and 3 vendor teams of 10+ artists to deliver exceptional resultswell under a network television budget

Los Angeles Metropolitan Area

Strategically scheduled and budgeted two independent feature films, currently seekingfinancing. Developed detailed production timelines and cost estimates to attractpotential investors with director and fellow producers.

Los Angeles, CA

Efficiently reorganized and rescheduled the Los Angeles office night and day crews forONCE UPON A TIME S3 and ONCE UPON A TIME IN WONDERLAND S1, ensuring smoothoperations and promptly meeting project deadlines with lead Vancouver team.

Greater Los Angeles Area

During my time as a temp with Volt, I gained valuable experience working at prestigiouscompanies such as CBS Films, CBS Intl Marketing, Spike TV, Comedy Central, and DisneyInteractive.My duties included efficiently answering phones, scheduling appointments, and providingexceptional customer service at events like E3, where I successfully managed line and.

El Segundo CA

Effectively coordinated the Los Angeles and India sequence teams for R.I.P.D.demonstrating successful leadership and organizational skills until I subsequentlytransitioned to a broader role coordinating all aspects of CG production, includingenvironment, lookdev, fx, and layout, for the blockbuster film 300: Rise of an Empire.

Santa Monica, CA

Continued contribution to the commercials department on various projects, including ahigh-profile presentation for Disney and Coors Light Iced T.Demonstrated strong creative problem-solving and collaboration skills with in-houseteams of 20 artists in Santa Monica and Burbank.

Santa Monica, CA

Successfully co-produced a regional Toyota spot with the commercial department,demonstrating strong project management skills.Key responsibilities included data wrangling, client services, expense report and budgetmanagement, as well as crew coordination and scheduling.

Santa Monica

Proficiently organized, managed, and scheduled two sequences, as well as the Comp,Environment, and FX departments in the Los Angeles office, for the production of REDTAILS.Served as the key company liaison and data wrangler between the client and theToronto office, ensuring seamless communication and collaboration on THE AMAZINGSPIDER-MAN, contributing to.

Santa Monica

Thoroughly coordinated, organized, and maintained project schedules for clients andartists across 5 of the company's global facilities with teams averaging 15-20 per facility.Provided essential support to crew by assisting with various tasks such as taking lead onclient communication, office management, supplies, equipment, and overall projectpipeline.

Efficiently coordinated, organized, and maintained project schedules for clients andartists in both the Los Angeles and Vancouver offices.Provided essential support to crew by assisting with various tasks related to clientcommunication, program management, supplies, equipment, and overall projectpipeline management, fostering a smooth and collaborative.

Assisted the bidding producer in reading and breaking down scripts, accuratelyconverting visual effects breakdowns from clients into the company's bid form, andeffectively managing the schedule of projects from initial intake to award or dismissal.Projects included GI JOE, THE MAIDEN HEIST, VALKYRIE, and AVATAR.

Los Angeles, California, United States

Provided essential desk support, including scheduling, call filtering, and personal care, tocreative talent working on a development deal for scripted television.Ensured a smooth and efficient working environment between creatives, studio, andnetwork.Projects from creative talent include Consulting Producer on IN CASE OF EMERGENCY

Provided valuable office support to the producer on the primetime network televisionshow, CLOSE TO HOME, contributing to the successful production and delivery of theseries.Efficiently handled clearance memos, contract reviews, daily schedule confirmation, andcrew buffer management, ensuring a smooth and efficient production workflow.

Provided comprehensive support to two executive producers, including the creator, onthe primetime network pilot, THE BOOK OF DANIEL.Successfully fulfilled the role of writer's assistant throughout the pilot's production, andactively participated in hiring my replacement when the series was finally greenlit.

Provided invaluable desk support to the producer, including daily scheduling, taskmanagement, and production timeline oversight.Effectively supported department heads and offered assistance to cast and offsite crew,ensuring a smooth and efficient production workflow.Primetime TV shows includes THE HANDLER and the initial pilot for NUMB3RS

Provided comprehensive support to a below-the-line talent agent specializing incinematographers and production designers.Successfully managed reels, invoices, contract distribution, phone calls, faxing, and email,ensuring efficient and organized communication and administrative tasks, contributingto the agent's overall success.Efficiently managed office.

Provided distribution support to the Production Coordinator and Department Heads onthree low-budget features, contributing to the successful production and delivery ofthese projects.

Gained valuable experience as a script gofer on the acclaimed television series THE WESTWING and THIRD WATCH, contributing to the production, studio, and network distribution oftheir first seasons and starting their second seasons before pursuing greateropportunities.

Provided comprehensive support to the APOC and Production Coordinator on V.I.P.Season 2, efficiently handling various tasks as needed for Sony Executives, actors, writers,and department heads.Responsibilities included managing office craft services, lunch runs, photocopying anddistributing scripts to cast, crew, and executives, and post-production material.

Bachelor Of The Arts, Moving Image Arts

Education record