Braden Dragomir Email & Phone Number

Canada

Ontario

We bridge the gap between brands or causes and their audiences through the science of storytelling and the craft of filmmaking. Our roots in journalism and anthropology guide us to uncover and craft uniquely human stories that resonate deeply and authentically. We believe in the power of stories to unite people around shared values, visions, and purposes.

Kitchener, Canada Area

• Film and Write Stories for Noon, 6pm, and 11pm broadcasts• Fill in anchor for Sports and Weather

Kingston, Ontario

• Anchor and Produce Newswatch@11• Co-Produce First@5:30 and Newswatch@6• Live Reporting on Top Stories for First @ 5:30 and Newswatch@6• Shoot, write, edit and report local news for Live@5, First@5:30, Newswatch@6 and 11• Aid in the production of Newscasts where needed

Toronto, On

• Associate Producer and Editor for feature-length documentary• Live switching for weekly webcasts• Camera Operator• Manage and organize all aspects of production of feature-length documentary, Improvisation Nation

Casper, Wyoming Area

• Anchor and produce 5 and 10 p.m. #1 Rated weekend newscasts• Create and Present weekend Weather Forecasts for 5 and 10 p.m. broadcasts and web• Report, write, shoot and edit packages for nightly weekday newscasts and web

Wichita, Kansas Area

• Operate both Standard and High-Definition Systems• Developed the ability to quickly learn new equipment to use in a Live broadcast environment• Switcher: Ross Vision 3 (SD/HD); Graphics System: Deko 1000 and Lightning (SD), and VizRT (HD);Audio: TV-80 Audio Console; Cameras: Operated both manual (SD) and robotic (HD) cameras

Vancouver, Canada Area

Had the opportunity to work with the camera crew on a fast moving production. ***If you pay attention to the season finale of season 1, I have a nice cameo of having to pick my nose on camera. The crew will never let me live that down***

Vancouver, Canada Area

As an intern on the production, I had the opportunity to work with:- The Camera Crew: loading mags for the cameras (we were on 35mm film) and the process to block and set up shots.- The Director: learning how to organize and guide a production- The Editor: with how to create the rough cut from the dailys that were being converted to an NLE- Visual Effects: working with a green screen studio to make Magneto look suspended in the air- Special Effects/Stunts: Working with the b-camera to create the Nightcrawler fight sequence and helping create the fireball that Pyro uses to blow up police cars.

Vancouver

Learned from the camera crew the process of blocking and shooting a television series. Every episode was shot in 7 days, so I worked on three episodes in the first season.