Key Job ResponsibilitiesEquipment OperationResponsible for accurate and timely setup, operation, and breakdown of intermediate audiovisual equipment.Troubleshoot technical issues and resolve problems quickly as they arise.Complies with all Company security and safety measures.Ensures equipment is secure from theft and/or damage when in use.Customer ServiceProvides excellent service and strive to exceed the expectations and needs of internal and external customers.Be a leader, mentor and coach for other Technicians on Encore’s Delivering World Class Service philosophy.Maintains a positive relationship with all clients through effective communication.Meets with guests on site to ensure that their needs are met and the equipment setup is working properly.Monitors events and checks in on customers throughout the day.Understands and fosters the hotel/client relationship.Technical AbilityUnderstands the technical aspects of the job and demonstrates advanced operational ability to troubleshoot and problem solve with equipment and software issues.Anticipates equipment challenges and changes in a timely and professional manner.Systems KnowledgeUnderstands company processes, follows procedures and completes systems entry and paperwork accurately.Uses the equipment sheets to determine the equipment scheduled for set up and for strike.Interacts with other staff and outside vendors for equipment.Increases revenue by utilizing floor up-selling techniques.Work with clients to finalize invoices.As needed, work within Encore systems and applications

Be assigned to regular or special posts; assignments may change daily and without notice.Maintain high visibility while on assignment.Maintain a professional and welcoming presence.Patrol assigned areas on foot, conducts security tours assisted by electronic device as assigned to ensure personnel. visitors, building, and exhibitions security.Greet visitors, provide information, direction, and other assistance to ensure a positive visitor experience.Maintain a positive, empathetic, and professional attitude towards guests at all times.This position requires standing for long periods of time (up to 6 hours per shift).Assist visitors and staff in the safe evacuation from the building. May respond to incidents and emergency calls according to Academy Museum policy.Enforce Academy Museum security policies and procedures using good judgment and excellent public relations skills. Refer unresolved concerns or issues to shift supervisor.Ensure all scheduled business appointments are verified and properly directed to staff or museum department upon arrival.Monitor activity and immediately report any discrepancies observed (e.g., suspicious activity, security breaches, facility and safety hazards, and emergency situations.)Contact emergency responders, such as police, fire, and/or ambulance personnel, as required.Prepare routine, standardized reports and notifications to security management.Participate in daily roll call and training.

Provide customer service to our clients by carrying out safety and security procedures, site-specific policies and when appropriate, emergency response activitiesRespond to incidents and critical situations in a calm, problem solving mannerConduct regular and random patrols around the business and perimeter. Working environments and conditions may vary by client site.

Performs the Load-in & Out of band equipment and rental equipmentSet Up and Break down of Band and Event EquipmentCabling and patching / working together with the entire crew as a teamAudio adjustments, maintaining safe audio levels. While providing a professional mixAudio Control Boards operationOversee visiting audio techs, especially during showsResponsible for Protecting /Maintenance and repair of Audio equipmentAssist with Production throughout the House as neededAssist the Production Manager with the technical advance with Artists representativesEnsure proper care and handling of all Echo and rental audio equipmentInteract with visiting production crews to ensure a successful showDistribute or create audio plansOversee and operate systems pertaining to audio throughout the entire venueEnsure Special Events audio needs are scheduled and met and executed with the utmost profession attitudeMaintain a relationship with local & National Audio Vendors Maintenance and repair of sound, light and stage equipmentMay assist the Stage Manager with show passesAssist lighting crew with stands, microphones, cables, etc.Assist with any Special Events operations

• Responsible for the sound, lighting and staging needs for the largest record company to date.• Developed one of the most successful promotion departments in the industry; promoted over 182 records to radio resulting in over 120 million units sold.• Consistently exceeded goals, generating millions in revenues yearly for the label• Member of planning and implementation team to transmit UMG to digital distribution of promotional product. Specifically responsible for conversion of physical DJ mailing lists and promotional vinyl quantity reductions• Created and implemented direct marketing campaigns to local and national DJ's in support of developing and established artists.• Successfully managed artist’s relationships with radio and the label including tour support, radio appearances, recording deadlines, brand partnerships, and manager relations.• Maintain and run artist websites and social networks• Onboarding of artists to all new communities and social networks• Work with design to create all branding on communities and social networks• Contribute to an album's overall campaign (social reveals and promotions in particular)• Utilize all audience (social communities, YouTube subscribers, email lists, online platforms, etc) for all promotional pushes• Grassroots outreach to larger blogs and blog networks, as well as relevant social communities, on all promotional pushes• Work with peers in the department on targeted advertising and engagement campaigns• Involvement in the development of artist websites, including wireframing, user experience design, and feature requisition.•Heavy research of artist communities and word-of-mouth analysis; reading and analyzing message boards, blogs, other artist sites, etc. and reporting when needed•Delivery of new artist communities and trends to the company•Create and distribute weekly community activity updates and demographic reports

Assisted a very busy producer in administrative, pre-production, production, and post-production duties. I assisted in all facets of what we do from supervising the production, maintaining production costs, using bid forms, inputting purchase orders and check requests, managing petty cash, handling payroll and timecards. Worked on all Microsoft Office programs, including GroupWise, Filmmaker Pro etc.

I ran the day to day operation of a professional sound , lighting and rental company.I was in charge of repairing, setting up, running and tearing down of all equipment.I assisted company in getting new clients and maintaining accounts.

In charge of maintaining the stage of major events. I also set up all mics and direct boxes, ran snakes and all wires and assisted the FOH engineer and the monitor engineer.

I sold music equipment. I was also top salesman when I was with the company.

Ran day to day operations of the record company and the recording studio. Released two records with that company.Big Hutch – (Executive Decisions) – West World/Street Solid – 1999 (Production Coordinator)Above The Law – (Forever Rich Thugs) (Album) – West World/Street Solid – 1999 (Production Coordinator)

• Administer all payment paperwork for composers, songwriters, producers, singers, studios, musicians, collecting invoices for payment and coordinating that process with production, music legal and finance.• Meet with new music production houses, libraries, songwriters & producers and make recommendations for future partnerships.• Research and hire new talent, songwriters, composers & producers for future opportunities.s• Work with production to provide any playback materials for rehearsals and the shoot.• Attend spotting sessions and mixes.• Supervise source music needs and clear with S&P and music clearance.• Provide Temp Score music, and work with editors on any temp songs they may need.• Work with legal and production executives to ensure proper paperwork is issued for Work for Hires, Vocalists etc.• Manage creative needs for original & licensed songs.• Oversee series composers, scoring notes process, and attend spotting sessions and mixes.Ice Cube - Legal Paper (Single) (The Lawhouse Experience, Vol. 1) - Lawhouse/Street Life – 1997 (Producer /Musician/Engineer)K-Dee feat. Ice Cube - World Wide (Single) (The Lawhouse Experience, Vol. 1) – Lawhouse/Street Life – 1997 (Producer /Musician/Engineer)Coolio And Kokane - Entrance (Single) (The Lawhouse Experience, Vol. 1) - Lawhouse/Street Life – 1997 (Producer /Musician/Engineer)Kokane - Exit (Single) (The Lawhouse Experience, Vol. 1) - Lawhouse/Street Life 1997 (Producer /Musician/Engineer)

• Played lead keyboard on artist tour• Controlled front of house sound, monitors, lightingting and directed local contractors at host venues.

George Clinton - Paint The White House Black (Single) - Paisley Park/Warner Brothers – 1993 Kokane – Bakin' Soda Free (Single) – Ruthless Records – 1994E.G. – Butterfly (Remix) – Bellmark/Jobete – 1996 Anthony Bone – Cool 2Tha Bone (Single) – PMP – 1996 Anthony Bone – Move Around (Single) – PMP – 1996Kam - Who Cares (Single) (DJ Pooh - Bad Newz Travels Fast) - Da Bomb/Atlantic/Big Beat – 1997 Gonzoe – Hit’em Hard (Single) (If I Live & Nothing Happens) - Mercury – 1998 Caffiene - Holla At Yo Potna feat. Kurupt (Single) (Things in the Game Done Changed ) (Album) – Zomba/Jive – 2000Caffiene – Bloody Horseshoe (Single) (Things in the Game Done Changed ) – Zomba/Jive – 2000 Martin Johnson – The Testament (Album) – Gifted Records – 2000Dr. Dre – Pause 4 Porno (Single) (Chronic 2001) – Aftermath/Interscope – 2001 Above The Law – Sex , Money and Music (Album) – Beatology Music Inc. – 2002 (Record Label/Production Coordinator/Producer/Musician)Tray Deee – Geez Moving True Crimes: Streets of LA (Video Game) – 2003 Various Artist (Snoop Dogg, Above the Law, Xzibit, Redman, The Outlawz, 40 Glocc, Mannish Flats, Bad Azz, Tray Deee (The Eastsidaz), Kokane, Ras Kass, The Luniz, Clee (Digital Underground), Mo (Mokenstef), The Realist, Heather Hunter, Domino, Pomona City Rydaz, 20 and Cliff Grifin – X Games (Album) – Beatology Music Inc. – 2006Cas Doe – Like Chris (Single) - Beatology Music Inc. – 2009Above The Law – Players, Gangsters and Ballers (Single) - Beatology Music Inc. – 2009Various (KMG from Above the Law, Al Mac from Troop, Talib Kweli, Kokane, Cas Doe, Ha-Ha L.O.C., Hardhead Jacob, Mannish Flats, Dwayne McGhee, Money Green and Anjel) – The Beatologist’s Lab Experiments (Album) - Beatology Music Inc. – 2017

• Built and helped maintain the infrastructure that the Army and the Air Force use to train, house, and deploy troops.• Built navigation systems and ports to assist in the deployment of necessary equipment and other materials• Provided direct support to Infantry and other ground troops in the battezone• Honorably discharged