Beatrice Lee Email & Phone Number

Los Angeles, California, United States

• Point person for the launch of both TMZ at FOX and all the FAST channels run by Fox Entertainment Group. • Assist with the workflow development and processes for TMZ and all other FOX primetime FAST Channels.• Identify operational workflow enhancements and help instill best practices related to trafficking, log creation and distribution of FOX FAST Channel programming.• Manage log creation and distribution of TMZ files to Tempe, Production, Affiliates, Tubi and other platforms.• Work with a cross-functional team spanning from sales, programming, engineering, and broadcast operations to traffic Fast Channel programming, commercials, and billboards in a timely manner to ensure network and client expectations are exceeded.• Work with CBS AD sales in the creation of the daily log for TMZ.• Create billboards for use during TMZ and other shows for CBS (TMZ) and FOX Sales departments.• Input and maintain critical metadata within OnAir systems, such as show timings, rating information, promos, commercials, and billboards.• Ensure accuracy of information input into OnAir by other users. Quickly and effectively resolve any issues that arise. Coordinate with key personnel in other departments for missing items.

Beverly Hills, California, United States

• Responsible for leading a team of editors, graphic designers, media archivists and metadata staff to support the worldwide distribution of Multicom’s growing content library. • Work closely with Sales, Marketing and Acquisitions teams to organize, schedule and route content to various platforms such as Amazon Prime, Tubi, Roku, and Pluto.• Review and approve all Sales, Acquisition and Distribution contracts for Operations-related elements.• Serve as primary point of contact within Operations to ensure our delivery requirements are updated and communicated to partners, licensors and/or content providers.• Oversee schedules, assets, post-production workflows and overall project organization to ensure requirements, deliverables and dates are clearly communicated, understood and executed upon.• Manage the gathering, ingest and tracking of all descriptive and functional metadata for each title, with partners in Sales, Marketing, Acquisitions and Artwork teams, within set timelines.• Set and define new processes that streamline our operations & post-production workflows that eliminate redundancy and increase distribution output.

Los Angeles

• Assist the Operations Manager with overseeing the production, delivery, quality control, scheduling and distribution of all promos, squeezes, snipes, ID’s, VDA’s, cable buys, sponsored promos and “Movies for America” elements.• Work closely with WGN America’s Chief Marketing Officer to ensure that all programming priorities are met and scheduled accurately.• Maximize and track all production work in progress within the Asana Task Management system to allow producers ample time for the creative process and ensure timely delivery for air. • Work with the Chicago Traffic Department to ensure that all open time is filled and promo, snipes, ID’s, and VDA’s placements are checked before logs are finalized.

Greater Los Angeles Area

Oversaw all aspects of post-production, intra-departmental communication, resource scheduling, equipment needs, daily administration, and operations for the department. Provided assistance to Senior Vice President in recruitment, hiring, and management of a team of 30, including writer/producers, editors, shooters, audio mixers, and support staff. Ensured creative team had resources available for execution and development phases of unique campaign proposals for interactive digital content and sponsorship ideas that supported overall sales initiatives for the network . Worked with SVP in overseeing and managing department’s line items, union budget, and non-capital and capital requests. Served as liaison with multiple parties to transition new vendors, freelancers, and staff personnel smoothly into working environment. • Maintained clear communication between department and company broadcast standards, broadcast operations, commercial administration, business affairs, legal, marketing, and sales to ensure digital and network deliverables with zero-defect and compliance with the FCC, SAG-AFTRA, and DGA guild rules and regulations. • Explored and tested the viability of software and researched future workflows for auto-tagging, international deliveries, 4K, VR (Virtual Reality), and other new media formats to maintain cutting-edge capabilities for the department.

Greater Los Angeles Area

Assisted in the daily supervision of workflow, including minimizing bay downtime, following elements through each step of the post-production process (Graphics, Audio, Fire, Adrenalines, Avid). Tracked production from assignment to delivery and troubleshot and oversaw entire process through production supervisors, coordinators, and editors. Provided quality control for end credits. Conveyed technical information to editors and special ops production staff, including software upgrades, software issues and solutions, HD procedures, HD test results, EDLs, OMFs, and graphic elements. Scheduled voiceover talent and maintained relationships with voiceover agents. • Collaborated with broadcast standards and practices to write test and develop FBC end credit and closed captioning requirements to ensure the network was adhering to SAG/AFTRA and FCC guidelines. • Enforced FBC delivery requirements for end credits and air masters. Assisted post-production offices with questions regarding formatting, DGA, SAG, and final delivery. Updated FBC end credit delivery requirements on yearly basis.

Greater Los Angeles Area

Supervised audio sessions, FIRE, and linear and nonlinear edit sessions, including final mixes, color-correction and title promos for credits, and music billboards. Tracked production of materials from assignment to delivery. Provided first quality control (QC) viewing pass on all day-of-air deliverables. Obtained final end credit promo content and revisions from operations manager for re-formatted end credits.

Greater Los Angeles Area

Acquired end credit materials from production companies and reconfigured for broadcast. Determined length of end credits based upon SAG and DGA Guild requirements. Reported shows timings to company network operations. Checked credits for accuracy prior to air. Obtained last segments of shows for reconfiguration and delivered to network operations. Contributed to design process, as well as executed application of promotional in-show lower thirds to primetime programming. Maintained and updated lower third schedule and lower third database

Currently Enrolled In The Online Certification Program., Technical Project Management

Coffee Break Film School

Avid Media Composer

Avid Media Composer for Producers Avid Editing Essentials Part One Avid Assistant Editing Essentials

Management Development Certificate Program

Broadcast Journalism Certificate Program

Bachelor Of Arts (B.A.), Communication, Minor In Ethnic Studies