Myself and 3 other super talented partners left EA with the dream of creating a studio centered on exclusive partnerships and a fully remote experience for other creatives. We actually made it happen for 4 years before our final Skype call...and had a blast along the way. Our clients ranged from EA to Insomniac to Madonna, with some fun experiments along the way folks keen on what we were trying to accomplish.

I was on the production team for a super fun game called NFL Street. From there, I was part of a 6 person R&D team to develop character production advances for the upcoming "next gen" consoles. I also helped produce the very first trailer for Madden 2006. I was also part of a pitch team responsible for putting together a faux trailer which landed us the Superman franchise. I was Lead Character Artist for a spell before leaving the company to start my own studio with some collegues.

As employee #32 of 36 at the studio, I modeled, rigged, and animated 90% of the NPCs on Jak & Daxter. I also animated some of the celebration vignettes. On Jak II...I expanded my contribution into Cinematics by helping develop our in game cinematic pipeline while also creating modeling, rigging, and animating 60% of the NPC's. I also modeled one of the robots that were used on Jak III.

I was part of an incubation team focusing on new IP for the upcoming Playstation 2 console. An open world game and puzzle game were two of the projects I was on that were cancelled before moving onto the Mark of Kri team to help them ship that game.

After grad school, I worked at a small advertising studio. We created 3D sequences for a full range of local and national businesses. The most noteworthy being Dunkin Donuts.