• Key leader for sales, presentations, inventory, planning, and budgeting, implementing marketing strategy and coordinating promotional events, generating a culture built on ways to “spark joy”• Manage more than 50 geographically-dispersed artists through detailed planning, checklists, and timelines• Recruit and train staff through video tutorials and templated emails on appropriate client follow-up, open-ended questions, and professional tone, resulting in 30% more completed sales• Introduced “Affordable Art Shows” and co-curated seven exhibitions featuring artist introductions, specialized, labeled images, and configuring the digital displays to overcome the difficulty of online art perception vs. in-person views• Planned and wrote contracts for “Art on Loan,” an arrangement conceived as a 48-hour trial period for new buyers; set custom commissions and devised automatic payments through an agreement with Shopify• Negotiated lower purchase processing rates with providers and set up a live sales log of all sales information to enable reporting by quarter; built YOY sales from $329K in 2019 to $361K YTD in 2021

Cohort: The Creative City

• Designed and launched print and digital marketing materials for exhibitions and workshops that increased website traffic and attention to social media pages by an average of 25%; accelerated open rates for the monthly newsletter by 4%• Co-hosted a series of community-building, after-hours events, NIGHT@tritonmuseum

• Chosen through a highly-selective process to research artist profiles and review 15 international cities for notable art scenes; maintained a register of national and international exhibitions • Transcribed curator interviews with Society for the Encouragement of Contemporary Art (SECA) Award winners

• Designed and handmade original felt patches• Processed over 800 national and international orders

• Cataloged and condition-checked 130 submissions for the annual Senior Art Exhibition; responded to inquiries from donors, museum professionals, students, and the general public, and processed sales of exhibition catalogs• Edited and organized a project commissioned by the Smithsonian Archives of American Art on the history of Asian art

• Responded to inquiries from students, donors, and museum professionals, as well as the general public • Processed sales of exhibition catalogs

• Operated an Andes mountainside field unit, adhering to strict project standards• Detailed operations in comprehensive notes and photographs• Independent Research Project: Political Activism in Rural Counterculture

• Identified, cleaned, and cataloged archaeological finds: lithics, pottery shards, weaponry• Restored and reconstructed ancient pottery in laboratory alongside Getty conservator