Bryan Pritchard Email & Phone Number

Richardson, TX, US

Grafton, Wisconsin, US

Las Vegas, Nevada, US

Dallas, Texas, US

Beverly Hills, California, US

Beverly Hills, California, US

Beverly Hills, California, US

• Work with customers to define scope and requirements for corporate and public facing web sites such as HouseofBlues.com (for both Desktop and Mobile). Maintain continuous communication with Stakeholders on project.
• Provide a project overview for each project and determined scope, resource allocation, milestone definitions, and duration for each project.
• Created and maintained project schedules and milestone deliverables. Ensure that projects are on schedule throughout the course of development. Worked with internal development team to resolve competing project issues.
• Work with customers on feedback flows and change requests.
• Work with QA team to define test plan and UAT schedule.
• Drove the design, implementation, development, and validation tasks to satisfy functional and technology requirements of all sites.

• Acting Manager of a company of 8 employees and 6 contractors, responsible for overall company development as well as client management and new business developments.
• Provide a project overview for each project and determined scope, resource allocation, milestone definitions, and duration for each project.
• Created and maintained project schedules and milestone deliverables.
• Drove the design, implementation, development, and validation tasks to satisfy functional and technology requirements of in-house development systems.
• Developed strong familiarity with iOS, Android and Facebook games marketplaces, trends and best practices.
• Develop new techniques and tools for creative staff related to emerging and current technology. This includes but not limited to tools scripted in Lightwave, Modo, and Unity, evaluation of off the shelf software.

US

• Acting President responsible for overall company development as well as client management and new business developments.
• Oversaw the company’s 60 employees and multiple external contractors project slotting and development.
• Worked closely with the CEO on business development, which includes managing existing and new customers, working with customers on current and future projects, managing customer expectations, and maintaining.
• Provide an overview for each project that determined scope, resource allocation, milestone definitions, and duration for each project.
• Managed weekly product reviews to validate project direction and provide guidance on new features.
• Working with the CTO, assisted in the design, implementation, development, and validation tasks to satisfy functional and technology requirements of in-house development systems.

• Acted as group manager for the console art division, managing a group of dynamic, creative individuals working on a wide variety of Ps2, Xbox, and GameCube products. The group consisted of 20 artists.
• Responsible for hiring, performance reviews, salary reviews, artist development, resource planning, mentoring artists and teaching artists how to mentor, training programs, art reviews and introducing pre-production.
• Worked on Crash Nitro Kart (Xbox, Ps2, and Gamecube) as technical art director, helping the team better understand console art development related to the current platforms. Developed a highly streamline, art package to.
• Was responsible for scheduling the internal development staff, as well as scheduling and directing an out-house art staff from Russia.
• Worked on cutting edge titles such as Doom III and Jedi Knight 2 for the Xbox, working to setup processes early to help shorten development cycle as well as giving the teams technical art training.
• Helped to build the technical and artist abilities within the console art department for the company.

US

• Managed a team of 12 developers, from artist to programmers.
• Work directly with programmers to develop an “art to engine” pipeline, based on the Renderware platform, for a multiple sku title on all three next generation consoles.
• Developed easy to use, artist friendly pipeline tools in Maya, based on the plug-in code delivered by the programmers.
• Work with designers to develop stunning and interesting gameplay.
• Created and maintained a consistent product schedule as well as milestone deliverables to the publisher.
• Performed weekly project reviews with each team to validate the current progress and update shareholders as needed.

• Managed a staff of 6 artists and was responsible for all task delegation and reviews.
• Created and maintained the art production documentation which covered platform requirements, best practices, and usability features for the Renderware Engine.
• Created and maintained the production schedules for the creative department.
• Responsible for building a competent art staff, and getting them up to speed on the development pipeline.
• Maintain and direct a consistent look and feel to all of the company’s visuals.
• Work with programmers to develop a quick, art sensitive development pipeline, which includes in house and off the shelf tools.

• Responsible for building a competent art staff, and getting them up to speed on the development pipeline.
• Hired and managed a staff of 5 artists, was responsible for delegating tasks and managing the creation of assets for multi-platform game titles.
• Developed documentation for pitches and game designs that included product overviews, feature sets, and requirements.
• Developed and maintained all schedules for all projects in the art department.
• Maintain and direct a consistent look and feel to all of the company’s visuals.
• Work with programmers to develop a quick, art sensitive development pipeline, which includes in house and off the shelf tools.

US

• Acted as the primary interface between art and programming and level design to solve art issues as they relate to the production of game assets.
• Responsible for delegating tasks and managing the creation of art assets for a team of 12 artists.
• Modeled, textured, and animated numerous low poly characters.
• Surface creation for model deformations system, head rotation and lip syncing.
• Worked in conjunction with level design to edit and create geometry for game levels, as well as construction and placement of ambient alias models within levels.
• Streamlined the asset delivery process by reorganizing directory structures and setting up batch process to deliver assets.

• Acted as the primary interface between art and programming to solve design and art issues as they relate to the production of game assets.
• Responsible for delegating tasks and managing the creation of all character art.
• Modeled, animated, and textured numerous humanoid characters for a sprite based, isometric environment.
• Modeled, animated, and textured main interface. Also helped in the creation of a modular interface design.

• Designed, modeled, textured, and animated numerous bots and environments for the pc game "G-nome"
• Modeled, textured, and animated:
• Assets/Cinematics on "Return to Krondor" pc game
• Assets on "Infinity" pc game proof of concept
• Cinematics on "Zombie Mutilator" pc game proof of concept
• Cinematics on "Monty Pythons The Holy Grail" proof of concept