Art critic and Independent Curator. Curatorship of exhibitions.Organization and communication of events.Editing of books and catalogues.She is the author of the book: “Tecno-socialità. Partecipazione e interattività nell'arte contemporanea” (Postmediabooks, Milano 2020) and of the essay "L'opera d'arte nell'epoca della Intelligenza Artificiale" (Jaca Book, Milano 2024).Art critic, journalist and independent curator. Founder and promoter of events and initiatives dedicated to new trends in contemporary art, she is one of the curator-tutors for San Fedele Visual Arts Prize.In 2010 she has curated the second edition Biennial Sculpture “Biennale Gherdëina” and in 2013 she took part in the Board of curators of BRERART, Contemporary Art Week in Milan.From 2012 she the curator of the Public Urban-Art event "StreetScape Como", installing works and sculptures in the squares, courtyards, public spaces and Museums of the city of Como.From 2016 she is Artistic Director of "PARMA 360 FESTIVAL della creatività contemporanea" in Parma.In her critical path she paid particular attention to new languages and new media art, with an emphasis on photography, new media and digital technologies. For e-festival within Social Media week in 2011, she has ideated and curated the show "Arteractive. Arte, Interattività e Reti sociali" at Urban Center in Milan and than at Parkissima52, collateral of Paratissima in Turin. In 2012 she has organized the exhibition "Dalla parte delle donne. Tra azione e Partecipazione", for Fotografia Europea Festival in Reggio Emilia and she was invited as a curator of "Critica in Arte" at MAR Museo d’Arte della Città di Ravenna, for the solo show of Alessandro Brighetti.In 2011-2013 she has curated 3 edition of "LECCO STREET VIEW. Street Art and Writing".In june 2014 she has curated the project Fefa Ride. Federica Falancia And Rita Deiola, in Thomas Hirschhorn’s FLAMME ETERNELLE at Palais De Tokyo, Paris.She is the tour guide of MAUA, Museum of Augmented Urban Art.Her texts have been published in various exhibition catalogues and art magazines. As a correspondent, she writes for the journal Espoarte (New Media Art Column).www.chiaracanali.com