Short-term contract for the Rep, working on projects for the Commonwealth Games Cultural Festival (2022).

In collaboration with the Artistic Director leading on the curation of Bristol Old Vic’s programme, being responsible for its creative vision as well as balancing the artistic budget of c£2m per annum. A member of the Senior Management Team (SMT), reporting to the Executive and Artistic Directors and Board of Trustees. Managing the work of the Producer and Producing & Programming Administrator. Deputising for the Artistic Director in representing the creative voice and policy of the organisation as and when required, both internally and externally.As the organisation’s senior producer, working with the Artistic and Executive Directors ensure the deliverability of all Bristol Old Vic’s productions, winning partnerships and investment on a local, national and international level to resource brave, new and brilliant ventures for the organisation, exploiting the national and international potential for both profile and income on all the shows we make. Key engagement in civic projects like 2018: Year of Change and the opening of the new building in 2018.Productions successfully delivered beyond BOV include: The Grinning Man (commercial transfer to Trafalgar Studios); Long Day’s Journey Into Night (commercial transfer to Wyndhams Theatre, BAM NY and The Wallis Annenberg LA); Jane Eyre and Peter Pan (re-mounted in collaboration with the National Theatre and shared internationally via NT Live); Messiah (cinematic release in collaboration with The Space); Touching The Void (UK Tour, Hong Kong Festival and commercial transfer at Duke of York's Theatre).

Producing cast changes and establishing the model on which War Horse could run long- term at the New London Theatre, and advising on the model for UK Touring. Managing the final OMTG cast change at the Haymarket prior to managing a 42-week, 37-venue UK Tour. Responsible for all contracts (creative, cast, company, theatres) and relationships with professional stakeholders (employees, freelancers, external contractors, theatre managers, union representatives). Day-to-day management of companies, including HR issues, and ensuring compliance with union regulations.

Commercial producing and management of productions in the West End, and on UK and International Tour. Responsibilities and tasks included budgeting, contracting, accountancy, casting, company management, marketing and press liaison.Projects included: By the Bog of Cats (with Holly Hunter); Whose Life Is It Anyway? (with Kim Cattrall); The Drowsy Chaperone; Glengarry Glen Ross (with Jonathan Pryce and Aidan Gillen); Desperately Seeking Susan; La Clique (later La Soiree); Stephen Dillane’s Macbeth; Sunday In The Park With George.

Managing the Director’s office and diary, programming and producing support, casting, event planning and management. Ensuring effective building-wide communication.