We help small to medium sized businesses grow, seeking out new opportunities, developing relationships and help them run the back end of their businesses. We also offer executive oversight and production direction/management, along with stage management and show calling for all kinds of productions and events.

Responsible for implementing and developing commercial and strategic relationships with clients, suppliers and other key partners worldwide.

I was the Executive Producer for the F1 opening ceremony at Jeddah F1. Primarily delivering a 5min 120m x 12m projection mapping directly on the race track, my role also required direct client liaison from F1 to site-wide HSE, and between all sub vendors including lighting, pyro and sound. Collaborators included Durham Marenghi, Chris Richmond, Lee Baker and Groupe F.

I was a Founding Partner and Director of United Visual Artists (UVA), a London based art practice founded in 2003. UVA’s artworks range from small-scale, wall-based pieces to large-scale sculptural installations for cultural institutions and public spaces.UVA’s lines of enquiry include the tension between real and synthesised experiences - the questioning of our relationship with technology, and the creation of phenomena that transcend the purely physical.UVA have been commissioned by institutions including The Barbican Curve Gallery, Victoria & Albert Museum, Royal Academy of Arts, The Serpentine Gallery, The Wellcome Trust, The British Library, Manchester International Festival, YCAM Japan and MONA museum in Tasmania. Their work has been exhibited at galleries including Blaine Southern, Bryce Wolkaowitz and Riflemaker in London. Permanent works can be found internationally in Toronto, Dubai, Philadelphia and most recently in Paddington London. Editions of Continuum and Always / Never are now in private collections and Our Time commissioned by MONA for Dark Mofo 2016 has been acquired by the museum.Whilst self-directed enquiry forms the centre of their practice, UVA have been open to collaboration with other specialists in their field. Most notable include Massive Attack on their live performance projects, choreographer Benjamin Millepied and the Paris Opéra Ballet, sound artist Bernie Krause for The Great Animal Orchestra at the Fondation Cartier and most recently with the theoretical neurobiologist Mark Changizi for the Origins of Art exhibition at the MONA Museum in Tasmania.

I was a founding partner and director at d3 before it changed its name to disguise. After 4 successful years, in November 2017 I decided to resign as a director and employee and pursue other interests.Originally developed within the UVA art and design practice, d3 was the world’s first integrated video production suite, based around a real-time 3D stage simulator.

I put my first video projector in a nightclub in Birmingham, England in 1991. I worked as a pioneering club VJ working worldwide from 91 to 2000. Amongst so many other things, some highlights of my early career include:Touring with The Prodigy on the "Fat of the Land" tour in 96, (using the first ever LCD video projectors on the market).Technical video consultant, content creator and operator for the Pet Shop Boys "Nightlife Tour" in ’99, (where I built my first media server and I believe was the first person to ever projection map on a 3d stage set, which happened to be designed by Zaha Hadid. Working with LD Marc Brickman.Content creator, editor and media server programmer for the Nine Inch Nails' "Nothing Tour" in 2000. Working with again with Marc Brickman.