My responsibility as an Unreal 3D generalist Was to create 3D models of characters, objects, and environments using modeling software such as Maya and Zbrush. Texturing 3D models to give them realistic or stylized appearances using tools such as Substance Painter or Photoshop. Creating animations with mocap for characters, such as walking, jumping, and attacking. Designing and implementing lighting and special effects to enhance the look and feel of environments and objects. Building environments within the Unreal Engine, including terrain, buildings, and props. Optimizing 3D assets for performance, such as reducing the polygon count of models or using LODs (level of detail) to improve performance Collaborating with other artists and developers to ensure the pipeline for 3D assets across the project.

My responsibilities are composite clean-up of imperfections on actors that the director would like removed. Done in After Effects, Mocha Pro, and Silhouette.

My responsibilities are assigning a day-to-day task, managing workflows, training new hires, and reporting to Senior Management.

Art directing the day-to-day shots design coming in for multiple artists. My compositing was used to do a several removal and image manipulation. Also responsible for creating 3D blood splatter effects. Done in Photoshop, Maya, Mocha Pro After Effects and Blender.

My responsibilities were storyboarding, pre-vis artist, character and environmental concept design, organic and hard Surface 3D modeling, texturing, material creation, animation. The importing and setup of animation, rigged geometry. Also scene layout, camera layout, particle effects, lighting, and rendering. Done in Maya, Substance Designer, Photoshop, Unreal and Terrigen software.

Was to prepare for a motion capture session: This involves setting up the equipment and software, calibrating the sensors, and making sure that everything is working properly. Works with performers: The motion capture artist works closely with actors or stunt performers, giving them direction and coaching to ensure that they are performing the required actions accurately and in a way that can be captured by the sensors. Captures motion data: During a motion capture session, the artist records the movements of the performers using sensors placed on their bodies. This data is then processed and used to create animations. Cleans and processes motion data: After a motion capture session, I will need to clean and process the data to remove any errors or glitches that may have occurred during the recording process. Reviews and edits animations: I will review and edit the animations created from the motion capture data, making adjustments to timing, weight, and other factors to ensure that the animations are realistic and convincing. Collaborates with other artists and animators: The motion capture artist may collaborate with other artists and animators to integrate the animations into larger projects, such as films or video games. Mocap systems I've worked with - Captuary, Xsens, Perception Neuron, and Opttack.

Develop concept art for the requirements of the project, including sketches, drawings,Create detailed environmental background illustrations that capture the mood, atmosphere, and details required for the project. Work with the project team to ensure that my work meets the technical and creative requirements of the project. Iterate on their designs based on feedback from the project team to refine and improve the artwork. Deliver my work on time and within budget, Stay up-to-date with industry trends and developments to ensure that their work remains relevant and effective.

Use 2D techniques to create digital artwork, including illustrations, and designs. Use 3D techniques to create and manipulate 3D models of characters, environments, and other assets required for the project. Use specialized software, such as Adobe Photoshop, and Autodesk Maya, to create my artwork. Ensure that my work meets the technical and creative requirements of the project, including texture, lighting, and painting. Work with the project team to iterate on their designs based on feedback, refining and improving my work. Stay up-to-date with industry trends and developments to ensure that their work remains relevant and effective.

Were storyboarding, character and environmental concept design, 3D modeling (both organic and hard-surface), texturing, material creation, animation, and scene layout. I also was importing and setting up animations, rigged geometry, camera layout, particle effects, lighting, and rendering. I use industry-standard software such as Maya, Photoshop, Substance Designer, and Cryengine to bring my creations to life.

As an educator, I design and implement diverse lesson plans that promote interdisciplinary learning strategies. My teaching methodology involves a combination of lectures and demonstrations to engage students in the learning process. I offer discourse on traditional figurative art principles, techniques, and practices to provide a strong foundation upon which students build. In addition, I mentor students one-on-one to help them achieve their full potential and develop a program of study that best suits their individual needs. By employing a comprehensive approach to teaching, I strive to create a stimulating and supportive environment that fosters creativity, critical thinking, and personal growth.

Was importing and setting up animations, rigged geometry, camera layout, environment layout, particle effects, lighting, and rendering. I use industry-standard software such as Maya, Photoshop, Substance Designer, and Cryengine to bring this trailer to life.

My responsibilities were texturing, material creation, animation, scene layout, and lighting. Done in Maya.

My responsibilities were storyboarding, character and environmental concept design, organic and hard Surface 3D modeling, texturing, material creation, animation. The importing and setup of animation, rigged geometry. Also scene layout, camera layout, particle effects, lighting, and rendering. Done in Maya, and Cryengine.

Assisteing the VXF technical director on setting up shots for visual effects.