I oversee & execute all aspects of securing, developing, & releasing albums & music videos from Eclipse's artists. What we can't handle, I outsource to experienced industry vets I know and trust. I strive to develop each artist to the point they can become financially self-sufficient on the road, and comfortably exist as a successful touring entity. Most importantly however, I strive to turn a profit on Eclipse's investment through the exploitation of copyrights, publishing, and other assets… Show more I oversee & execute all aspects of securing, developing, & releasing albums & music videos from Eclipse's artists. What we can't handle, I outsource to experienced industry vets I know and trust. I strive to develop each artist to the point they can become financially self-sufficient on the road, and comfortably exist as a successful touring entity. Most importantly however, I strive to turn a profit on Eclipse's investment through the exploitation of copyrights, publishing, and other assets Eclipse secures through carefully executed contract negotiations.Noteworthy Projects: 2018 - now: Nereis2018 - now: Set Before Us2018 - now: Lillye2018 - now: Society's Plague2017 - now: Genus Ordinis Dei2017 - now: Coffin Carousel2017 - now: Sifting2017 - now: As Paradise Falls2017 - now: Twelve Noon2017 - 2017: Sixty Miles Ahead2016 - now: Naberus2016 - now: Despite2015 - now: Mindshift2014 - 2017: Cold Snap2013 - now: Our Last Enemy2013 - now: A Breach of Silence2013 - now: Blowsight2012 - now: Saint Diablo2013 - 2013: The Fail Safe Project2010 - 2012: Dead by Wednesday2004 - 2010: Scum of the Earth2004 - 2005: Megaherz, Alev2003 - 2004: Five Foot Thick2001 - 2003: Bobaflex1999 - 2002: Mushroomhead 1997 - 2000: Disarray Show less

I designed, developed, and coded the StreetTeam.com website, which currently serves as a grassroots marketing option for Eclipse, and several other record labels. Through this website, we manage a network of almost 2,000 street team members, spread all across the continental USA. We produce a bi-monthly compilation which is provided to these team members for hand-to-hand distribution in major markets across the USA, primarily at concerts, events, music and lifestyle stores, where it makes… Show more I designed, developed, and coded the StreetTeam.com website, which currently serves as a grassroots marketing option for Eclipse, and several other record labels. Through this website, we manage a network of almost 2,000 street team members, spread all across the continental USA. We produce a bi-monthly compilation which is provided to these team members for hand-to-hand distribution in major markets across the USA, primarily at concerts, events, music and lifestyle stores, where it makes sense. By getting kids in the trenches passing out free music, talking up the artists we work with, and procuring additional promotional opportunities, we are able to vastly increase awareness of the artists, thus increasing sales and our client revenues.Noteworthy Clients/Artists:Funeral for A Friend, Lordi, Red Fang, Trapt, Iced Earth,, Arch Enemy, While She Sleeps, Fozzy, Voivod, Skindred, Kingdom of Sorrow, Nonpoint, Fear Factory, Mushroomhead, Otep, Snot, Kittie, Sebastian Bach, Anti-Flag, Primer 55, Scum of the Earth, Bobaflex, and tons more...Streetcult Marketing also consults for clients on all aspects of the music/entertainment business, with focus on production, distribution, marketing, and promotion of music related artists/products. Show less

Product Manager / Label Acquisition (2000-2002) - I sought out established record companies of all genres (domestic & international), solicited them to sign on with us as their exclusive North American distributor, and negotiated the terms of their distribution contract with label managers and their attorneys. Upon execution of the distribution contract, I acted as their primary go-to person for all their marketing/product interactions with the company. I would be responsible for processing… Show more Product Manager / Label Acquisition (2000-2002) - I sought out established record companies of all genres (domestic & international), solicited them to sign on with us as their exclusive North American distributor, and negotiated the terms of their distribution contract with label managers and their attorneys. Upon execution of the distribution contract, I acted as their primary go-to person for all their marketing/product interactions with the company. I would be responsible for processing their new releases into our distribution system, relaying press & marketing information to our sales reps, procuring co-op marketing & positioning programs at retail, and also sales analysis on each label's product line. Marketing Director (1998-2000) - I was responsible for design & production of the monthly new release books, which were then mailed out to over 3,000 retail accounts, music buyers, and onestops. I consulted with almost 50 different distributed record labels, maintaining production of their releases, ensuring all manufacturing elements were received and provided to the CD manufacturer in time to meet street date. I personally oversaw between 30-50 new releases each month. I was also responsible for submitting & maintaining metadata for the entire distributed catalog (approximately 25,000 SKUs) at all major chain, onestop, and mass merchandiser databases. Show less