• Led development and implementation of a 5-year strategic plan, including a $25M capital campaign for theater renovations and acquisition of Public Studios, a creative environment for artists with 20,000 square feet of studio space• Led COVID-19 response for all theater activities, including: assembling and liaising with a diverse team of infectious disease experts from Columbia University to create and update safety policies; coordinating with creative teams, producers, front-of-house staff and other stake-holders to ensure smooth implementation and establish processes for continuous quality improvement; supervising team of COVID compliance monitors and managing budget of over $2M. Successfully re-opened the first theater in NYC in 2021 with the Shakespeare in the Park production of'Merry Wives'• Established and implemented protocols for audience research to understand and monitorthe reach of the Public’s programming and developed innovative strategiesacross departments and programs to expand accessibility of audience participation to New York City neighborhoods• Managed community partnerships for ticket distribution and outreach: New York Public Library, Brooklyn Public Library, Queens Public Library, Cultural Institution Group members, and 70+ local organizations• Formed academic partnerships with Stanford University, Brooklyn College, and Hunter Collegethat have led to the development of student internships, graduate fellowships, etc.

INSTITUTIONAL PLANNING• Led the creation and implementation of an annual institutional plan at the Public Theater under the guidance of the Executive Director.• Supported the development and execution of three-year program plans for all seven artistic programs at The Public Theater.• Designed survey and metric tools to evaluate program progress and support funding proposals.AUDIENCE RESEARCH• Completed the first comprehensive study of Public Theater audiences across all artistic programs and performance genres.• Collaborated with Senior Director of Marketing and program leadership to develop and articulate successful audience engagement strategies.• Created a series of actionable insights that have supported dynamic community partnerships and engagements with new audiences.• Delivered presentations and led working groups for a wide range of Public Theater stakeholders from artistic and administrative leadership, community organizers, and individual and institutional donors.

• Administered the Fine Arts Supplement to the Common Application.• Organized auditions for student applicants on Stanford campus.• Trained department faculty and staff to use online reporting and assessment tools. • Compiled and collated all student evaluations for the Office of Undergraduate Admissions.• Corresponded with candidates and their families throughout the application process.• Hosted departmental Admit Weekend events for prospective freshmen.

Duties & Responsibilities:• Developed academic syllabi and undergraduate courses.• Delivered lectures & led student seminars on wide range of topics in Theater and Performance.• Graded student work. • Administered and trained academic and administrative staff to use Coursework, Stanford’s online learning management system, for over fifteen courses in the department of Theater and Performance Studies.Instructor:• 2013 Acting Intensive Project: The Crucible & Speech and Debate• 2011 Acting Intensive Project: Major Barbara• 2011 Irish Drama• 2010 Acting Intensive Project: Our Country’s GoodTeaching Assistant:• 2011 Women and Family in European History• 2011 Dance and History: From Postwar to Postmodernism• 2010 Introduction to Feminist Studies• 2009 Texts in History: Classics from Greece and Rome• 2008 Shakespeare and His Contemporaries• 2008 Beckett: Introduction to Samuel Beckett Studies

Directed a large number of mainstage theatrical productions at Stanford University and the Bay Area.Stanford University:'Speech and Debate' by Stephen Karam, Prosser Studio.'The Crucible' by Arthur Miller, (co-directed with Amy Freed), Pigott Theater.'Major Barbara' by G.B. Shaw, (co-directed with Amy Freed), Pigott Theater.'Our Country’s Good' by Timberlake Wertenbaker, (co-directed with Amy Freed), Nitery Theater.'The Recruiting Officer' by George Farquhar, Nitery Theater.'My Name is Rachel Corrie', edited by Alan Rickman and Katharine Viner, Nitery Theater.'The Merchant of Venice'', by William Shakespeare, (co-directed with Nonna Richardson) Magdalene College, Oxford University.'Splendour' by Abi Morgan, Roble Studio Theater.'Bedbound' by Enda Walsh, Prosser Studio.

• Managed front-of-house activities at four performance venues on Stanford campus.• Trained student staff and Stanford Summer Theater interns.• Monitored event spaces and enforced university health and safety protocols.• Compiled and submitted daily accounting reports.

• Designed and executed a cabaret-style performance showcase, one of NSO’s largest campus events, for two consecutive years.• Recruited and trained undergraduate staff.• Managed budget allocation.