Claudio Gonzalez Email & Phone Number

Orlando, FL, US

As a Compositing Supervisor at Zero VFX, I oversee the compositing process for feature films and commercial projects. My responsibilities include resource allocation, quality control of work, and ensuring that master shots are established to maintain visual consistency. I collaborate closely with artists and other departments to deliver high-quality final.

Windermere, Florida, United States

As the owner of BouncyBox Studios, I provide VFX supervision, production management, and compositing services for feature films and commercials. I also offer consulting on CG pipeline development and implement emerging technologies to optimize workflows. Additionally, I provide curriculum development consultation for a major VFX school, contributing to the.

Orlando, Florida, United States

As a VFX Studio Instructor at The Dave School, I teach students emerging technologies and guide them through a comprehensive VFX studio environment, simulating projects from concept to delivery. I instruct students across various VFX pipeline stages, including modeling, texturing, rigging, animation, lighting, compositing, production management, and.

Guided the initial stages of the studio's planned expansion, laying the groundwork to grow the team. Implemented production management tools and software to streamline workflows and improve efficiency. Developed pitch decks for clients, assisted with client feedback, and contributed to bids for new projects. Worked closely with producers and directors on.

Managed the compositing team for the film "I Wanna Dance with Somebody," utilizing new volumetric sequence capture technology. Took on the most difficult shots and helped develop the workflow and look for the sequences. Developed tools for the department utilizing emerging AI-driven technologies. Managed all aspects of VFX for several commercial projects.

Windermere, Florida, United States

Developed the business plan that secured funding for the practice. Ideated and designed the office layout to optimize space, then contracted an architect to validate and finalize the plans. Coordinated all vendors, including plumbing and mechanical, to maintain the construction schedule and ensure the final vision was achieved as the designated vision.

Orlando, Florida Area

At Falcon's Creative Group, I undertook a multifaceted role that spanned the leadership of the digital media and game development teams, encompassing 25 full-time staff and a network of outsourcing vendors. Central to my role was pioneering the adoption and comprehensive integration of Unreal Engine for interactive projects and incorporating Houdini into.

Orlando, Florida Area

At Falcon's Creative Group, I served as the Compositing Supervisor, leading the compositing department through a period of significant growth and development. My responsibilities included implementing Shotgrid as the primary production management tool, streamlining workflows, and improving project tracking. I managed all aspects of the compositing.

Greenwich, CT

Collaborated closely with art directors and CG supervisors to craft the look of establishing shots across sequences. Recruited to join a new Matte Painting team for the film "Peanuts," handling both digital compositing and matte painting tasks. Tested new software and wrote pipeline tools for the compositing department. Met weekly quotas consistently while.

Port St Lucie, FL

As the Digital Paint Department Lead, I managed a team of 26 highly skilled specialists, tackling complex paint work that other studios had failed to deliver. I led and successfully delivered shots across several live-action films, ensuring the highest quality standards were met. My role included performing quality control on all shots prior to delivery.

Port St Lucie, FL

Promoted to Lead Stereo Compositor, I managed a team of 5 artists working on the stereographic conversion of popular live-action films. I led the top-performing team among 6 other teams at the company, expanding my team to 12 artists and taking on the most challenging shots. I oversaw the entire stereographic conversion of "Transformers: Dark of the Moon,".

Port St. Lucie, FL

At Digital Domain Media Group, I started as a Digital Artist, working on VFX for major films such as "Thor." My responsibilities included greenscreen extractions, set extensions, rotoscoping, and digital compositing. I quickly established myself as a valuable team member by volunteering to teach advanced techniques in match-moving and digital paint in.

Managed the armory for 2nd Battalion, 1st Marine Division, overseeing the maintenance and readiness of military equipment. Improved the operational readiness of an armory by updating protocols and ensuring compliance with regulations. Trained other marines on armory protocols, maintenance, and safety procedures. Responsible for the safekeeping of military.

Miami, Florida, United States

Drafted concept designs for home remodels for clients, providing visual plans and assisting with project planning. Worked on home remodeling projects, including plumbing, drywall, tile work, framing, and electrical work, gaining hands-on experience in building and remodeling techniques.

B.S. In Computer Animation, Compositing

Activities and Societies: Chemical 8 - Indi gamesCourse Director Award (ART class - 2009) Valedictorian 99.75% Attendance

Computer Engineering

High School Diploma, Computer Graphics

Magnet Program of Computer Graphics