In 2014, I had the unique opportunity to compose a piece for a Wave Field Synthesis (WFS) immersive audio system at the G. Pollini Theatre in Padua, Italy. Until then, I had never delved into spatialized audio and knew little about this field. However, this experience marked a decisive turning point in my career.From that moment, my perception of music underwent a radical transformation. I immersed myself in the study and experimentation of immersive audio, and despite inevitable mistakes along the way, my passion for learning about the tools and technologies capable of creating immersive audio experiences never waned.Convinced that it was the right time for an ambitious project, I founded "Flower of Sound" with the goal of developing a catalog of immersive audio experiences tied to various emotional states. I dedicated myself to creating audio content for VR and AR, developing IoT software for immersive rooms, and managing multi-platform projects. This journey led to the formation of "Machine Jockey," a team of digital creatives now part of Flower of Sound.This journey profoundly influenced my artistic approach. I took a long break from composing to study neuroscience and ethnomusicology, aiming to understand how and why our ancestors used sound as an indispensable tool for collective and individual healing. Only recently have I returned to composing, with a renewed perspective and approach.Flower of Sound has naturally become the ideal platform to host a continuously expanding catalog, offering unconventional listening experiences and stimulating new auditory perceptions. This project not only reflects my personal journey but also aims to push the boundaries of how we experience sound and its impact on our consciousness.