Cody Heimann Email & Phone Number

Nashville, Tennessee, United States

I Work closely with the software and hardware development teams for existing and future RF products. We look at feature sets and challenges across multiple mediums of the entertainment industry and streamline products to help support end users to have the tools to alleviate those challenges and create a better user experience overall.

Master RF Coordinator for the New Years Rockin’ Eve Celebration Production in Times Square.

Greater Nashville Area, Tn

Open Channel Coordination Services (OCCS) provides quality RF Coordination, Consultation, Set-Up, Tear-Down, and Execution of Wireless Systems for Concert Production, Corporate Events and Sporting Events of all Sizes.

Nashville-Davidson, Tennessee, United States

Working with Professional Wireless Systems has been a highlight of my career. Working in some of the most challenging yet creative production and spectral environments, there was never a dull moment. Working at this level with this group of people was a fun and constant learning experience for me which I will always be grateful for. This company trusted me and my colleague to run their Nashville satellite office until it's untimely demise from COVID-19. Clients included Coachella, Top Rank Boxing, DreamForce, Multiple Award Shows and many others.

As an RF coordinator for Projection I've worked in many challenging RF situations, in large convention centers, meeting spaces, outdoors, and ballrooms. Working with some of their smallest clients to their biggest, including ASAE's annual conference with upwards of 150+ channels of RF between meeting rooms and general session in a single property. As an audio engineer with Projection I've been an A1 in many general sessions as well as an A2 in general sessions and breakout room tech working with audio and video elements.

One of the most fun and diverse positions I've had in my career to date. This position started after working with a long time Client for many years, we got to know each other and what started as an A2 position ended up molding itself into Stage Management. The progression was fun and extremely organic in the sense that as the A2 I was always working with the CEO, President and other high offices hand in hand to prepare them for the stage. Now thanks to the great people at Projection they've allowed me to hone my skills to other clients and different styles of shows. Including new Remote based shows as a stage manager!

Orlando, Florida, United States

At eTech I had the pleasure of working as their overall Breakout Audio Lead on their shows for Adobe several years running. I would preconfigure consoles, come up with a standardized verbiage and signal flow for local techs to be able to work in consistent with one another. The most exciting part of this project was every room was like a small general session, so we would have heavy involvement in both audio and video departments in each and every room.

Freelance A2, assisted as PA Tech for L'Acoustics systems, RF coordination, Stage Patch, Clear-Com tech, Monitor Engineer, and Break-Out Tech.

Nashville Tn

As a Production Manager for Brantley I worked with a wide variety of clients and shows, ranging from Vanderbilt's Commencement to ASCAP's Country Music Awards, Barbershop Harmony Society's International Competition and many more. As a Production Manager I've managed the logistics (Nationally and Internationally), labor, gear, and client relations of each show from beginning to end. As an Audio Engineer for Brantley I've worked in FOH and Monitor positions, RF Coordination, and as a PA Technician for predominately Adamson Line-Array systems.

Supported Prime Time Broadcasts as the RF Technician for Notre-Dame football games.