Daniel Hulme Email & Phone Number

England, United Kingdom

Faculty Of Music

- Developed and implemented long-term strategy for the studio facilities and the related subjects of electroacoustic composition and music production within the Faculty of Music.-Extensive oversight into the design and development of the University of Oxford 'Schwartzman centre for the Humanities' - multiple music studios; 'Black Box' experimental performance space; and 500 seat concert hall, due to open in 2025.- Develop teaching and syllabus to support strategy, having special regard to emergent trends and technologies of concern to music technology education in a national and international context. - Research, plan and lead seminars and lectures on these relevant areas of the syllabus.- Identify, develop and manage strategic relationships with external partners that benefit the Faculty and wider University. - Develop and engage in funding development projects and activities.- Operational and financial management of the studios.

Faculty Of Music

- Established EMPRes to address the strategic need to create a space that nurtures these activities within the Oxford institution. Coordinates the work of researchers, artists and performers to develop new initiatives using innovative technology. Produce and curate events within the Oxford creative community to both commission and showcase work.- Since 2018, curates and produces a biannual event series in collaboration with local partners Modern Art Oxford; called the 'Art of Noises'. Each event is a mini festival featuring multiple artists, workshops, student performances, academic talks and at least one external practitioner/performer.- In 2022, asked by Modern Art Oxford to collaborate with artist Jesse Darling on a large-scale installation and unique performance in the main gallery. Produced a version of David Tudor's 'Rainforest' (video link below).- In 2022, co-sponsored Shiva Feshareki's Visiting Fellowship award with the Humanities Cultural Programme; a 12-month project titled 'Sampling the City' that culminated in a unique immersive performance in the historic Sheldonian Theatre, utilising a cutting edge 16 speaker 'Ambisonic' surround speaker array."The University of Oxford’s Electronic Music Practice & Research group (EMPRes) aims to promote and advance research and public dissemination of electronic and experimental music practice and sound art. It does so by working with artists, musicians, composers, producers and researchers from a wide range of disciplines interested in creating new music and sound based works through investigative practice.At the heart of EMPRes' rationale is the act of listening, and the creative possibilities of sound recording, playback and transmission. The group's definition of electronic and experimental music practice is broad, including contemporary classical, electronic and electroacoustic music, sonic art, popular music, jazz and other relevant genres."

Oxford, England, United Kingdom

- Technical leadership and strategic planning for the Music Faculty for both music technology and information technology needs. - Recruitment and line management of full-time and ad-hoc staff.- Financial planning and management.- Teaching music technology syllabus.- Committee chair for Music Faculty 'IT & Digital Resources' committee.

Oxford, United Kingdom

- Researched, produced and directed a short documentary film and associated expanded website unearthing the works of Michael Gerzon and the OUTRS (Oxford University Tape Recording Society) in the late 1960s and early 1970s, and the subsequent development of the Soundfield microphone and the 3D immersive sound format 'Ambisonics', now widely used in VR production. - Funded by the Oxford University John Fell fund.- https://intothesoundfield.music.ox.ac.uk/

London

A lockdown project with two other musician friends. Remotely collaborated on a six-track E.P. for BMG Production Music as the 'Dalston Swans'. To be used in commercial music sync for TV and film. Scheduled for release in 2023.

Dan began his music industry career at Factory Records/New Order’s Suite 16 studios in Manchester, UK. He relocated to London in 2001 to begin work at Strongroom studios, Shoreditch. Here he joined a team of in-house producer/engineers based at this established music industry hub - working within the studios and liaising and collaborating with the various artists, managers, record labels and video production companies also based there. With its ubiquitous Jamie Reid wall art and fiercely independent attitude, Strongroom evoked something in all who worked there. It was, and still is, a hub of innovation in music. Simultaneously, he studied for a Masters degree in Audio Production. The course led him to explore new creative interests away from pop music; composing abstract art music with sound itself as the material. He gained a distinction, and a deeper interest in experimentation with sound.Over the following years, he developed a strong reputation, establishing an ongoing creative partnership with many musical artists including. He spent months travelling between the UK and Paris, living and working with legendary Bristolian trip hop producer Tricky, on multiple sessions that became his acclaimed 2010 album, Mixed Race.He was nominated as best newcomer in the 2009 MPG (Music Producer Guild) awards for his work with electronic act Delphic, amongst others. https://mpg.org.uk

Liverpool, England, United Kingdom

- Successfully co-founded an independent residential recording studio on the outskirts of Liverpool, whilst also working as a freelance music producer.- A.P.E. (Analogue Production Environment) was both a studio and research project combined! - All equipment installed was pre-digital - from early Ampex 8 and 16 track tape machines, to the vintage 1969 Neumann/Teldec recording console and various vintage musical instruments, microphones, amplifiers and effects. We unearthed, documented and employed past techniques of music production in a modern context using these technologies.- We eventually succumbed to include a Pro Tools system to create a unique analogue/digital hybrid studio environment.- Regular clients included Deltasonic Records (The Coral, The Zutons); Heavenly Records (Cherry Ghost, The Doves); Colin Vearncombe (aka Black) and Ian Broudie amongst countless others.- Experience of business development, marketing, networking, employment law, recruitmentent, HR/team management.