Danielle Roney’s hybrid practice explores how art and technology can democratize spatial narratives and infrastructures. Working with mediated sculpture, fluid architectures, and time-based media she interweaves isolation and connectedness, redefining spatial relationships to create new satellites of meaning while collapsing physical barriers.Informed by Roney’s hybrid artistic practice and history working across digital and physical mediums, Roney Studio currently consists of an international, multidisciplinary team of designers, programmers, and fabrication technicians synthesizing computationally driven approaches to design and fabrication with highly refined hand-based techniques. The Studio regularly collaborates with external global engineering and fabrication teams to develop unique approaches and innovate custom solutions in the execution of large-scale public-realm projects.Embracing radical beauty through the tool of abstraction, each project is the result of custom computational, data-driven design processes that present a poetic, considered vision of time-based interactions, incorporating data in response to a local context, community, and site.Roney exhibited in the Beijing off-biennale ‘Convergence’ with curators Feng Boyi and CS Kiang, and has produced works in Johannesburg, Venice (IT), São Paulo, and Istanbul. US exhibitions include the Museum of Contemporary Art, Georgia; Museum of Contemporary Photography, Chicago; Atlanta Contemporary Art Center; Zuckerman Museum of Art; and SouthxEast Biennale. In 2015, Opposing Views was highlighted in the StatsPL educational program, a collaborative effort between cognitive and neuroscience experts, technologists, and top educators made possible by the Bill and Melinda Gates Foundation.She has received numerous grants including the Museum of Contemporary Art, Georgia and Sony Electronics. Roney participated in ‘knowledges’ (2019), the Integrated Arts Research Initiative at the Spencer Museum of Art funded by the Mellon Foundation, Warhol Foundation and National Endowment for the Arts. Her work has been reviewed in Art in America, ArtPapers, and featured in Noplaceness: Art in a Post-Urban Landscape and Dislocations, by Leonardo Electronic Almanac.She currently lives and works in Brooklyn, NY.