Danielle Elliott Email & Phone Number

San Francisco, CA, US

San Francisco, CA, US

San Francisco, CA, US

• As Director of Brand at Trusted Health, I oversaw creative and brand for B2B and B2C. I was responsible for developing brand strategy, overseeing creative, and delivering elevated branded experiences.
• Oversaw and led the brand team responsible for delivering creative strategy, data-driven insights, and creative campaigns that tie to business goals across B2C and B2B
• Oversaw and led a brand refresh including launch of interactive brand guidelines and a digital asset management system
• Maintained the integrity of the brand across all company marketing initiatives and communications by working closely with internal and external teams to shape strategically sound creative work
• Assessed and evolved existing brand strategy and expression to reflect the ever-changing tides in the healthcare marketplace
• Oversaw design and content updates to both B2B and B2C websites and worked in partnership with SEO partners for optimizations

Seattle, WA, US

• Oversaw the execution of brand design creative projects supporting high profile, high impact business initiatives including the Amazon parent brand
• Supported the brand design team leading parent brand design, governance, and consultation across the org
• Partnered with Global Creative Director to manage workload and projects across brand design team including shepherding national campaign work, brand guidelines, build out of company brand portal, and socialization of.

Austin, Texas, US

As owner of Danielle Motif, I specialized in lifestyle photography and brand consulting. Clients ranged from individuals, to small businesses, to global brands. As a brand consultant I provided a variety of strategic deliverables including foundational framework, competitor analysis, reviews of existing brand assets & materials, customer research.

Seattle, WA, US

• As Creative and Marketing Director at Blanton Turner, I oversaw creative, brand, and marketing across 70+ brands in the Pacific Northwest. I was responsible for inspiring creativity and guiding the team to develop.
• Managed members of the BT Creative Team both in the office and also through remote work environments
• Partnered cross-functionally with department leads and executive leadership to foster open communication and streamline workflows
• Directed creative and marketing projects across graphic design, photography, copy, video, motion graphics, user experience (UX) and user interface design (UI)
• Provided and oversaw copywriting for marketing collateral, and website development
• Guided brand identity creation including logo, typography, color, voice and tone, and naming

Seattle, WA, US

• As Senior Brand Manager, I lead the development and evolution of CreativeLive’s brand voice and visual aesthetic across all touchpoints for three years. This included workshopping brand strategy with the CEO/founder.
• Lead brand positioning sessions and evolutions to determine the mission, vision, value proposition, ideal customer, voice and tone, attributes, and messaging.
• Lead development of seasonal and brand-level campaign concepts and go-to-market strategy to inform performance-driven integrated marketing campaigns across social media, email, digital paid advertising
• Lead the charge to elevate community stories from students, instructors, and employees to an integral component of brand architecture. As creators, they represented our core values and ideals best and therefore, the.
• Collaborating with the product and engineering teams to work up the marketing launch strategy for an iOS and Apple TV app launch, as well as a new business initiative for subscriptions
• Lead the effort to redesign and develop brand-friendly content to key company pages on the website

Seattle, WA, US

• I managed the creative team in Seattle and San Francisco during a time of high-volume and growth at the company. I approached this leadership role from a place of creative passion, empathy, and enthusiasm. The team.
• Oversaw hiring and managed the creative team, conducted weekly touch bases, and provided performance reviews
• Developed guidelines for promo videos, standards for course graphics, and a project management framework
• Managed external design agency
• Filled in as project manager and producer where needed which included producing branded video content, writing and conducting interviews, working with a freelance After Effects artist to create channel-specific show.
• Oversaw the marketing video and design teams’ creative output and provided critical and constructive feedback

Seattle, WA, US

I first began at e-learning startup CreativeLive as hire #32, as a Content Producer. It was my first time working for a visionary mission-driven company, and I was excited by the energetic idea that we were out to champion creatives through educational tutorials taught by experts. With so few employees, we were innovative, resourceful, and focused on.

Seattle, WA, US

• I produced boundary-pushing and original marketing concepts on time and budget. I would oversee events, broadcast TV, motion graphics, radio, digital, guerrilla activations, out of home, and print (in-store retail and.
• I served as the photographer and producer for a print, out-of-home, and video campaign for UW in which we created assets for magazine and newspaper placements, a train station immersive takeover, and in-stadium.
• For Taco del Mar, I orchestrated an overnight pop up beach volleyball event at Seattle’s Westlake Center. We dumped 100 tons of sand, groomed a regulation court, populated the area with a brand ambassadors, had printed.
• I photographed real employees from Homestreet Bank for an authentic, integrated campaign
• I produced ‘Everyone Deserves a Snow Day,’ a brand campaign bringing the snow and fun from the slopes to Texas. We created a mobile snow machine in 90-degree temperatures, and we even snuck into the state capitol for.

New York, New York, US

• I began my ad agency experience as an assistant producer on T-Mobile projects where I worked alongside the agency’s veteran producers creating videos for various media buys. We produced pre-roll for YouTube, case.
• I produced several radio and TV spots for Les Schwab. We partnered with Digital Kitchen to create animated television ads featuring real customers stories in an imaginative and playful execution. The process involved.
• I assisted the executive producer, art director, and copywriters, for the first rounds of the iconic ‘girl with the pink dress’ T-Mobile campaign, directed by the talented duo of Josh Gordon and Will Speck. I.
• Internally, I kept focus on being solution driven. I analyzed our systems and worked in close coordination with our digital asset manager to set up new workflows for the team to optimize our output, minimize expenses.

• I returned to Flying Spot as they refocused all their efforts on creating quality digital branded content, interactive videos and experiential installations for commercial and event marketing. I also mentored, coached.
• Managed all the elements for a multi-day, multi-venue Starbucks global leadership event with both print, animation, and video installations
• Assisted in developing creative for several pitches and RFPs
• Concepted and content produced a stop motion short for a Vulcan property in Seattle’s South Lake Union neighborhood, shot by photographer Chase Jarvis
• Collaborated with creative director, editors, and animators on several company reels and internal branding efforts

US

I worked on the television shows: “I Want Your Job,” “Move This House,” and “Sell This House.” For “I Want Your Job” I partnered with producers by conducting interviews with potential guests and helped coordinate shoot details to ensure each episode was dynamic and full of effective storytelling from start to finish. I executed on a variety of elements for.

I first started working for Flying Spot when they had started a production and motion graphics offshoot called Fly Motion as they were beginning development on a film criticism TV show, ala “Siskel & Ebert.” The project ended up being short-lived, but I was lucky enough to be asked to help pull together legal needs for a snowboarding documentary they were.

My first role after college was working as an Office Manager Stuart Waks & Co, a post-production boutique editorial studio in Santa Monica. I was equal parts administrator and client services manager. We created mostly TV commercials for ad agencies such as Saatchi & Saatchi and TBWA Chiat Day. I was the receptionist and also in charge of keeping all the.

During college, I wanted to take my passion for film and music and combine them into the ultimate career path. Thankfully, I was able to meet and intern for Lisa Brown Leopold, who had just broken out on her own as a music supervisor and started Five Mile Radius. Lisa had previously worked for music supervisor Bonnie Greenberg, and both of them worked in.

I interned at Totem Productions (director Tony Scott’s personal office) as Mr.Scott was in post-production on the film “Enemy of the State.” I worked closely with his two assistants and shepherded phone calls, ran errands, helped organize print materials for promotion of the film at press junkets, and maintained the guest lists and many details for the.

I always wanted to work for the Walt Disney Company. I grew up watching every film (live action and animation), I knew all the characters, and I fell for the fantasy and storytelling. So when the opportunity came to intern for Sally Field’s production company, Fogwood Films, on the Disney Lot (in the old animation building no less) I HAD to take it. I ran.

Ma, Film Critical Studies

Ba, Communications - Emphasis In Film Production