Daniel Shickles Email & Phone Number

Madison, Wisconsin, United States

- Editor on live-action and animation projects for broadcast, social, and digital platforms- Editorial responsibilities during post-production include ingesting and transcoding footage, fileorganization, inputting metadata, building string outs, SFX and music pulls, offline editing, motiondesign, final conform, exporting files for finishing teams, mastering and versioning files for delivery- Collaborate and partner closely with directors, producers, animators, freelancers, finishing studios, music houses, and in-house creatives from ideation through final delivery- Conduct client-supervised editing sessions utilizing strong presentation, communication, and organizational skills- Work closely with group creative directors, giving feedback on internal editorial projects to ensure a high standard of creative editorial is being maintained and delivered- Partner closely with motion leadership to research and integrate new procedures, equipment, and technology to bolster our production capabilities and streamline our post-production workflowClient List: Duluth Trading Co, Jersey Mike’s, Smithworks, AKHG, Broyhill, Pancheros, Eatstreet, Scotts

Madison, Wisconsin Area

Virginia Beach, Virginia, United States

- Editor on live-action projects for broadcast and digital platforms- Oversaw efforts to reacquire and organize past project files, footage and editing assets to build a newin-house post-production library- Collaborated with creative leaders to discover, build, and tell new brand stories through visual contentfor consumer productsClient List: Priority Automotive, Dunkin’ Donuts, Philip Michael, CHKD

Detroit, Michigan, United States

- Editor on live-action and animation projects for broadcast, event, social and digital platforms- Collaborated and partnered closely with producers, local freelancers and in-house creative teams fromideation through final delivery- Conducted supervised editing sessions with clients, producers, and in-house creative teams utilizingstrong communication and presentation skills- First in-house editor to lead post-production on multi-million dollar broadcast campaign for USAAClient List: USAA, America’s Navy, OnStar, Cadillac, Edward Jones, Unicef

Tulsa, Oklahoma, United States

- Assistant editor on live-action projects for broadcast, trade shows, events, social and digital platforms- Day-to-day collaboration with lead editors during post-production included the following:Ingest and transcode footage, input metadata according to editor specs, sfx and music pulls, exporteddaily review files, prep drives during final conform for finishing, versioning for final delivery- Edited overflow projects during crunch periods for the studio to help with editor workloads- Headed production audio during in-house commercial productionsClient List: Bushnell Golf, Toyota, Folds of Honor, Remington, Community Care, OERB, Fidelity Bank

Flint, Mi

I assisted the production mixer and boom operator with all of their needs during production including running and wrangling cables, adding soundproofing to various objects at each location and also acting as 2nd boom operator when needed.

Bachelor Of Science (Bs), Film/Cinema/Video Studies

Film/Cinema/Video Studies