📢 Let's Revolutionize Event Content. 📢 Designed for Event Visionaries and Organizers handling large-scale gatherings.Graphical & animated content doubled, tripled, maybe even quadrupled. And this while becoming more efficient, flexible and using dynamic systems to keep content up to date without hassle. All content linked to a central database for easy updates.❇️ Simplified & Faster Project ManagementWriting VIP names the wrong way will be a thing of the past.❇️ Recycling Content 2.0While others do reuse content, our approach takes it to another level. You can easily adapt and build upon existing content, saving time and resources. Giving you options for the future to build upon your event.❇️ Quick Changes are a BreezeLast minute changes in line-up or schedule aren't a challenge anymore.❇️ Scaling Made Simple - Infinity Becomes ReachableYou're not just looking for an easier path to growth; you need the ability to scale up your already significant events. Our solution empowers you to handle more content, even in large events, effortlessly.❇️ Reliable Partner during Dark TimesWhen faced with event cancellations or challenges, we are the dependable partner you can count on. You won't have to worry because we've got your back, ensuring your event's success even in the toughest of situations.❇️ AI-Future-ProofIn an era of AI challenges and uncertainty, our company is designed with the foresight that AI will play a part in the creative process.

At Editz I started working with more online-content and helping out setting up campaigns for events with the occasional side-step into other areas.Here I continued developing & greatly improving my skills regarding:- After Effects (VFX, Graphical Animations & Compositing)- First steps into Data management and converting this into content- Blender & Unreal Engine- Project Management & Overal organisational skills to improve project flow. - Excel- Javascript coding for expressions & scripting- And I wasn't afraid to make my hands dirty when it was needed.The types of Content that I worked on were:- Trailers- Aftermovies- Livestream content- Social Media Content- Visualisation of Dance Shows- Content & Show Creation for Shows- Infographics- Commercials- 1 MovieThe clients at the time we helped were:- Q-Dance ( Defqon.1 , XQlusive Holland , Q-International , PowerHour-TheMovie , Warrior Workout , New Years Eve Livestream )- B2S ( Decibel )- Art of Dance ( Dominator, Masters of Hardcore , Syndicate , Supremacy , Angerfist , Snakepit )- ALDA ( A Day at the Park , Pal Mundo , SAGA , AMF )- Underscore ( Icons Live / Our House Amsterdam )- Gobsmacked- Angerfirst- Miss K8- Art of Creation- Atmosfearz - 2 /\ 1- Brennan Heart- Cryptosis- Charlotte Labee- Warface- World Club Domeand many many more...

I started StormControl (and yes, not StreamControl) to explore new oppertunities and get new experiances. In this short time I mostly focused more on technical aspects of the VJ industry.Most notable achievements were as followed:- Technical Support, Tester & Bughunter at Resolume. Resolume is the primary go-to software for VJ's and I was helping Resolume to process incoming mails of people that were facing issues. I had the joy of meeting the top VJ's of the world and helping them with their projects if they were encountering issues with the software. - Afrojack Advancing.For Divizion (Angelo Isenia) I helped out with Advancing. That meant going to the festival location before the event started; making sure that all the technical aspects such as pixelmaps were in right order and adjustment of content to the stage. This data was send to my client so he could perform the show optimal. I ended up at locations such as:- Croatia (Ultra)- Ibiza (The Ushuaïa Club)- China (Storm Festival & More)- Japan- Peru- Sweden- VeeMee VisualsThe owner Michelle van Mill was a dear friend of mine who taught me the art of VJ'ing. Ofcourse for her I did some assignment and the notable ones were:- Fedde Le Grand VJ Shows (Backup)- Intents Festival- Multiple Events in Romania

I grew quickly in the world of VJ'ing and at Vision Impossible I was able to develop and improve in those skills even further. Here my responsibility grew fast as the primary VJ for the company. I was responsible for the majority of the live-gigs, preparing them and performing on them. I was able to develop my technical expertise even more. Beside focusing on the video-technical aspect; I also was making sure that timecode shows were programmed and running. This required working with all teams at the event. Beside that I was also still working on content creation. Creating visuals for Shows, Events & Artists (and an occasional corporate event). Here I increased my competence with 2D & 3D Animation even more.The clients that we created content for and did shows for were:- Q-Dance (Q-International, Qlimax and more)- Art of Dance (Masters of Hardcore, Dominator, Supremacy, Angerfist, Syndicate, Exodus, Radical Redemption)- Electronic Daisy Carnaval Las Vegas- 538 XXL & 538 Koningsdag Breda- Transmission Prague, Bangkok & Australia- TijdmachineAnd many more...

Working as a VJ & Motion Graphics Artist.Here I found my entry into the world of Events trough VeeJays.Com. I followed a education with them and started to learn the art of VJ'ing (VeeMee-Visuals / Michelle van Mill - as my buddy/teacher). It was also the period that I started realizing my strenght in technical knowledge would give me an edge in the industry. My very first festival that I attended (in my life) was directly also my very first gig with Vision Impossible. After that I grew fast into the art and started doing a lot of Freelance gigs for Veejays.com & Vision Impossible.It would not be long, before I started working at Vision Impossible.

First time freelancing. Taking an job here and there focussing mostly on just Motion Graphics and gathering experiance.At the end of this period I discovered the art of VJ'ing and I was starting to get a focus.

My first paid job in the industry working as a Motion Designer. Here I dived into Motion Design and other elements such as Editing & Color Correction. Only realizing that those 2 weren't up my alley.

My first steps as a Motion Designer.At Librium Plaza I was working as an Intern to create Narrowcasting content for a lot of public places in Amsterdam. Also in an occasion we created content for LED Screens at sports events. Little did I know; that even 15 years later, I would be still working with Narrowcasting elements.