​Slim, and from the audience seemed very tall, the conductor is certainly the most astonishing phenomenon that has emerged recently with us. A real ballet master of the conductor's baton, with big gestures, very expressive, sometimes with theatrical mimicry in communication with the orchestra, he was excellent in transferring his ideas to the orchestra. And these ideas were clearly dictated by his own taste, but also closely to the taste of the audience.Written by Jagoda Martinčević for Jutarnji list (in Croatian) after my concert with the Zagreb Philharmonic Orchestra