Team Lead and Developer of 3D interactive content for video game and VR/AR applications including animation, game design, art asset creation and pipeline integration R&D for clients such as Disney, Mattel and Google. Expert modeling (3ds Max, Zbrush), rigging (Maya), animation (Maya, 3ds Max) and scripting animation state machines in Unity and Unreal. Experience with stereoscopic 360/180 video.

Sculpture and production of limited-edition collectible vinyl art toys and archival giclee prints. Use of digital sculpture tools (Zbrush, 3dsMax), 3D printers (sls, fdm, polyjet) and large-format archival giclee printers. Manage the toy manufacturing process with factories and suppliers from concept to final delivery and global distribution. Experienced mold maker and fabricator with a variety of resins and silicone. Two sculptures inducted into the Designer Toy Hall of Fame (Possessed and Mr. Bunny).

Character animation for "Through the Wormhole" - Science ChannelRealtime character animation for Disney Imagineering "Haunted Mansion" ride.Realtime cinematic animation for White Moon Dreams "Warmachine" game.

Responsible for instructing students in the use of a variety of digital art software including Autodesk Maya and Adobe After Effects.

Part of the twelve-person animation team responsible for animating seasons 8 & 9 in less than a week per episode. Work speed and conformity to the South Park animation style were essential skills.

“Medal of Honor: Pacific Assault”Created in-game “A.I.” assets for a complex branching animation system. Animated and scripted (Python, MEL) cinematic cutscenes and in-game custom dialogue. Solved technical integration issues for the animation team production pipeline.

Realtime cinematic animation for Activision’s “Shrek 2” and “Pitfall Harry” video games (PS2, X Box,)

“Introduction to Computer Game Design”:  Developed curriculum and taught game design to a diverse  group of students.

Producer, “Secret Agent Barbie”​: Supervised a twelve person development team; oversaw tasks and scheduling and assisted with technical and artistic direction. Responsibilities included managing client  relationships and maintaining focus and vision. Supervised localization in five languages.  Lead Animator, Art Director:Supervised realtime character animation. Worked with engineers to create a variety of animation systems including hierarchical, morph target and bone deformation. Modeled and textured character faces and bodies. Created extremely low polygon models (<150) for first generation 3d games. Directed motion capture sessions and developed production pipeline for the data. Created branching animation systems for complex character behavior.