Specialist Teacher in the international class of Beijing Film Academy for ”Color Grading and Digital Intermediate"

With a record of over 30 feature films in China, plus several short projects (short films, docudramas and TVC); and experience and knowledge of the Chinese industry, I've positioned myself as a go-to colorist with a great variety of genres and styles:-From big-budget, heavy-vfx driven films as "Monkey King 2" or "L.O.R.D." to independent, intimate or auteur films as "Soulmates“ (2 Golden Horses Awards) or "Love-Hate" (Sundance 2016).-Forward-thinking colorist, involving myself into each… Show more With a record of over 30 feature films in China, plus several short projects (short films, docudramas and TVC); and experience and knowledge of the Chinese industry, I've positioned myself as a go-to colorist with a great variety of genres and styles:-From big-budget, heavy-vfx driven films as "Monkey King 2" or "L.O.R.D." to independent, intimate or auteur films as "Soulmates“ (2 Golden Horses Awards) or "Love-Hate" (Sundance 2016).-Forward-thinking colorist, involving myself into each project, director's world and photographer's mindset; not afraid of trying new things and happy to share my opinion in VFX or S3D related fields if asked during review or coloring sessions. Show less

Leading the DI Cinema Department, for 2k/4k and 2D/3D films with a 4 people team, working with Mistika and different systems and applications, integrating our team into a bigger Film Department of over 30 persons; and into a 100 company team.I officially assumed my role as DI Supervisor in the Spring of 2014; starting a new phase for the team:-During this time, there were a total of 9 different members (assistants, second colorists, finishing artists), with an average number of 3… Show more Leading the DI Cinema Department, for 2k/4k and 2D/3D films with a 4 people team, working with Mistika and different systems and applications, integrating our team into a bigger Film Department of over 30 persons; and into a 100 company team.I officially assumed my role as DI Supervisor in the Spring of 2014; starting a new phase for the team:-During this time, there were a total of 9 different members (assistants, second colorists, finishing artists), with an average number of 3 plus myself.-We worked through over 20 feature films, plus some high quality TV dramas. Including:>Monkey King 2>Love - Hate>The Lost Tomb > Wolf Warrior Show less

Leading the DI Cinema Department, for 2k/4k and 2D/3D films, working with SGO Mistika System.I originally came to China under some good references by a local DP and a couple of facilities I had worked with earlier that year. The original idea in the company was that I would asume the role of Colorist and would work along one of the oldest, most experienced colorists in China, who would be there as DI Supervisor. After a few months, this local colorist recommended to the company that I… Show more Leading the DI Cinema Department, for 2k/4k and 2D/3D films, working with SGO Mistika System.I originally came to China under some good references by a local DP and a couple of facilities I had worked with earlier that year. The original idea in the company was that I would asume the role of Colorist and would work along one of the oldest, most experienced colorists in China, who would be there as DI Supervisor. After a few months, this local colorist recommended to the company that I 'd assume his role, as he wasn't able to work in Beijing for health issues. Show less

S3D Artist for the TV and IMAX project "MicroMonsters 3D with David Attenborough"This was my 5th collaboration with Onsight. Previously I worked with them for:- BBC Christmas Special TV Film ¨Mr. Stink 3D¨ (S3D and VFX)- ¨Tiny Giants 3D¨ (trailer - teaser)-¨Galápagos 3D¨ (Online Editing and S3D)- ¨Red Dwarf X¨ (VFX and Online Editing)

Working with various post production facilities in different cities of Europe (mostly Madrid and London), in several positions within the post suites: I started as an Assistant Editor, jumping quickly to Colorist Assistant and Finishing Artist with SGO Mistika system. Within one year, I was working as Junior Colorist and at times as VFX Artist with The Foundry ¨Nuke¨software and SGO Mistika system. During my time in London I learned and worked through several native S3D projects. I was also… Show more Working with various post production facilities in different cities of Europe (mostly Madrid and London), in several positions within the post suites: I started as an Assistant Editor, jumping quickly to Colorist Assistant and Finishing Artist with SGO Mistika system. Within one year, I was working as Junior Colorist and at times as VFX Artist with The Foundry ¨Nuke¨software and SGO Mistika system. During my time in London I learned and worked through several native S3D projects. I was also hired for several training sessions and demos by SGO HQ, both in Europe and Asia.-Color Correction and Color Grading, both for film and TV (credited in 3 feature films as Colorist, plus several TVC, TV shows and short films).-Compositing and VFX, for TV and film.-Stereoscopic Postproduction (Geometry Correction, Color Correction, Online Editing, Compositing)-Videomapping.-Demo Artist, Documentation, Training (national and abroad) and Testing for SGO.-Some of the companies I worked with: Onsight, ImagenLine, Servicolor, Abyana, AdLogical, CFG, Creasun, SGO. Show less

Working for a month with the China Film Group and Pegasus & Taihe Entertainment International teams, as DI consultant, and Colorist as Mistika operator for the film ¨Switch¨.

Working as S3D and VFX artist for the first BBC´s 3D scripted film ¨Mr. Stink¨ and for the TV 3D documentaries for Sky ¨Galapagos 3D with David Attenborough¨.

Working mainly as a VFX Artist with Mistika for the new Red Dwarf X´s TV series.

-Final Cut editor.-Graphic Designer in Photoshop and After Effects.-Post-Production in Mistika.

-Edition of various videos, from industrial ones to social events videos.-Camera Assitant (being the very camera operator at some occasions) and sound assistant (both in studio and in live events).