Editor
CurrentI work in many roles for JamTV. I’m currently overseeing the AFLW 2024 Season as Senior editor. Across my years I’ve directed pieces for the NBL, commercials through The Moments Company, the title sequence for 'Get On' (used across Get On SA, also) and feature content for AFLW and VFL, as well as smaller roles directing sequences for documentaries made for streamers such as Stan. I've been responsible for the editing of shows like racing.com's 'Get On' and 'That's Racing', VFL, SANFL and AFLW… Show more I work in many roles for JamTV. I’m currently overseeing the AFLW 2024 Season as Senior editor. Across my years I’ve directed pieces for the NBL, commercials through The Moments Company, the title sequence for 'Get On' (used across Get On SA, also) and feature content for AFLW and VFL, as well as smaller roles directing sequences for documentaries made for streamers such as Stan. I've been responsible for the editing of shows like racing.com's 'Get On' and 'That's Racing', VFL, SANFL and AFLW for Channel 7 and Fox, and NBL for ESPN and Channel 10. I was an additional story producer for the Stan doco ‘REVEALED - DANIELLE LAIDLEY: TWO TRIBES’. I was assistant editor on the series 'Animal Embassy', Media Manager for The PGA in Brisbane, and have worked on other productions like the Shane Warne Memorial broadcast, SportNXT conference, Chris Judd's Talk Ya Book podcast, David Evans' 'With the greatest respect' and 'the Swanny and Dave podcast'. I have run cameras for multiple projects too, including AFLW features and filming footage for openers and BTS for: The Sunday Footy Show, Get On, Coreplus, Millionaire Hot Seat and more. I spent a year and a half producing and editing a daily web-series for Evans & Partners titled 'Morning Mail', and I've edited multiple other series of corporate videos for Evans/Dixon. Show less
