Jon Destoppeleire Email & Phone Number

San Diego, CA, US

San Francisco, CA, US

San Francisco, CA, US

Jointly ran Tubi's Infrastructure Engineering for 7 months as Interim Director with my counterpart in CN. During that time:* I had 7x FTE reports; including 5x Senior Engineers, 1x Senior Lead Engineer, and 1x Staff Engineer in the US.* Developed onboarding and hiring pipelines, successfully hiring 2x Senior Engineers, 1x Staff Engineers, 1x Staff Lead.

San Francisco, CA, US

Team Lead - ObservabilityTeam Lead - Cluster Elasticity and AutoscalingOur team is responsible for creating a comprehensive, first-class, next-generation Kubernetes infrastructure for Tubi. * Independent project responsibility with extensive cross-collaborative reviews and implementations. * Full-lifecycle ownership, from research to execution and.

San Francisco, California, US

* Focused on IoT Linux implementations, primarily with oDroid SBCs.* Experimented feasibility of Kubernetes and containerization for decreased complexity of deployments.* Continued prior responsibilities.

San Francisco, California, US

* Managed, maintained and extended both AWS Infrastructure and on-premise bare metal IoT Infrastructure. * Extended CI/CD pipeline for on-premise IoT OS and Service builds.* Extended CI/CD pipeline for additional CPU Architectures.* Implemented test-driven development methodologies in CI/CD and existing tooling for increased stability.* Expanded AWS.

San Francisco, California, US

* Everything and the kitchen sink.* Sysadmin for 100+ employees in HQ.* MDM Solutions Administrator. * Supported Systems Infrastructure for 8 remote store implementations nationwide. * Key stakeholder for new store technical build outs, implementation, and documentation. * Personally administered 6 of those store technology stacks, which included: Network.

San Francisco, California, US

* Responsible for the health of 100+ conference and AV rooms.* Troubleshooting root causes of software and hardware system failures, with on-site resolution or escalating if needed.* Remote monitoring and physical location monitoring for proper signal flow.* Maintaining records of failures and errors to provide my superiors with actionable metrics.*.

IT Administrator specializing in Audio Visual and Computer Graphics Pipelines and Infrastructure.

San Francisco, California, US

* Consulted with leadership to expand their computer graphics pipeline for greater capacity and agility. * Researched, evaluated, and proposed various methods for a distributed rendering pipeline; primarily VM Cloud vs. 3rd party farm vs. a local hardware farm. * Administered a local cluster of Multi-OS MacMini’s, including network, OS, and software.

San Francisco, California, US

Worked as a compositor and lighter within Nuke and Maya. Compositing included greenscreen, tracking, integration and light FX work. Lighting included complex 4K photoreal renders utilizing Octane.

Park City, Utah, US

Lead on a CG Asset. Responsibilities included overseeing design, modeling and animation. Texturing, lighting and rendering were done personally in Mari, V-Ray and Maya. Composited in Nuke.

San Francisco, CA, US

Deals primarily with CG Lighting, Rendering, and Compositing.

San Francisco, CA, US

CG Supervisor and lead Lighting TD. Responsible for photo-real rendering, supervising match moving, cg set extension and dynamic effects.

San Francisco, CA, US

TD support for Feather and Hair systems, Surfacing, Lighting and Rendering. Provided hair and feather geocaching support from animation ingest along with tool development. Responsible for PRMan surfacing and rendering pipeline in stereo.

San Francisco, CA, US

In a large scale production, worked closely with my superiors to render photo-real CG assets. Also worked heavily with greenscreen, motion-control plates and match moving.

San Francisco, CA, US

Provided on set VFX and Stereography support for the Director and DP.

San Francisco, CA, US

Worked closely with my VFX Producer, Director, and VFX Supervisor to developed a short consisting of 220+ live action shots against Green Screen utilizing a RED workflow. Shooting lasted 12 days including 2 locations. We were heavily involved in the pre-visualization and shooting aspect of the production.Full CG Environment was created in Maya. Heavy.

San Francisco, CA, US

Created multiple CG assets working primarily in Maya and Mudbox. Utilized heavily optimized V-Ray render techniques in order to accommodate hardware, and pipeline-scene optimization for lighting preparation.

San Francisco, CA, US

Created a Mudbox, Maya and Mental Ray pipeline that sidestepped Renderfarm limitations. Ultimately accomplished over 130 shots textured, surfaced, lit and composited in under a month and a half.

San Francisco, CA, US

QC included Green Screen keying, RED workflow, Match-Move and a large amount of cleanup work.

In the process of creating photo-real dinosaur hero assets, surfacing and texturing, in Maya, Mari and V-Ray. Also participating in the process of feather R&D, and was the on set VFX Supervisor for the 1st Unit.

Park City, Utah, US

Intensive R&D period consisted of testing various hair and feather systems in tandem with our local Render Farm. Both Mental Ray with custom shaders and V-Ray were utilized, along with Shave and Haircut.

Park City, Utah, US

Working in a close-knit team of students, integrated into a large (200+) person team on set to provide support to the DP in order to provide the Post Houses the highest quality footage over multiple locations.

Working closely with a VFX Producer, provided on-set support for this small independent film to expedite their post-production cycle.

San Francisco, California, US

Duties included working closely with clients to produce quality motion graphics and compositing for product services. Work was highlighted during Saleforce's “Dreamforce ’11” and primarily created in After Effects, with RED workflow.