Heading up production on a 6 month contract with the incredible team at Alt / Shift /. Facilitating in house productions as well as partnering with production companies to create Broadcast, Radio, Online, Print, Digital content and event a sculpture for their impressive suite of clients, including:MelroseCadburyOfficeworksTACGrill'dVic HealthFederation UniversityTourism QLD

Merging with the numerous companies that created Hero, I brought my team into a new environment and worked with the award winning creative team at Hero to offer everything from TVCs to Digital Content offerings to the broad selection of clients including:ToyotaCentrumMaybellineCera-VeBulgariEbayPorters PaintsBMWSardCircles Life

Working with a close knit team in a small Agency was a fantastic chance to test my skills in making something amazing for not very much.My time at BBE saw me working with client big and small including:DuluxPearsonsHolden (RIP)Momentum EnergySpecsaversRoadshowPorter PaintsCabotsMedibank

During my freelance role helping out the fine folks at CSP my role included, but was not exclusive to:- Liaising with production companies, advertising agencies and clients to manage projects from brief through to delivery- Attending briefings with creative directors- Preparing quotes, reconciliations and invoices- Managing budgets on all your jobs- Booking artists- Preparing post schedule- Liaising with General Manager and Company Accountant as appropriate- Assisting Offline | Grade | Online artists- Project prep- Treatment writing- Post production workflow refinement- Sound suite booking

- Quoting, budgeting and invoicing- Offline editing- Liaising with production companies, agencies and clients- Staff management / freelancer bookings- Post production workflow supervision, design & implementation- Storage management - Project prep and assembly of edits for senior editors - editing TVC and content work- Audio editing and track laying- QC of final edits prior to dispatch to various outlets (including Adstream & Dubsat) - Revising edits and creating cut downs from other editors work- Script and treatment assessment and breakdown- Managing brand representation through social media and website design- Working closely with directors, producers and senior editors on pre-post planning- Liaising with production companies, agencies and clients in pre-production- Managing program licences and maintain dialogue with service providers

My skillsets allowed me to post-produce high-end TVCs for Sydney's leading post-house as well as assist award winning directors and editors on national and international campaigns. During my time at the Editors I also lay the foundations for the expansion of the business into the Melbourne market.

Working in a close-knit creative and technically minded team I released television and film titles on an array of digital media platforms. Editing video and audio, encoding and prepping materials from any number of sources our team released the highest quality of digital video for the Australian digital market. I worked with premiere, photoshop, avisynth, compressor, FCP and numerous encoding softwares on a daily basis to create trailers, repair and restore video frames and audio samples, to name but a few tasks. Working to monthly deadlines, I ensure that titles are prepped, encoded and tested. Metadata for several platforms is also prepared and delivered for numerous platforms including iTunes, X-Box and Fetch, to name a few. On top of your own releases, we recently achieved aggravation status with iTunes and have for 8 months no served as international aggregators for several licensors and productions. I have aided in development of our systems and best practices and been an integral part in Madman's rise to be one of Australia’s leading digital film and television distributors.

My position involved working with encoders, designers, project managers and brand managers to ensure that Madman’s physical media releases are shipped flawlessly. My role here is a hybrid of several roles- aspects of encoding, video and audio editing, menu design and DVD authoring were the main elements of this position. It demanded a high level of organisation and a strong ability to multitask to ensure that release dates are met and our online and DVD releases are shipped ready for the viewer. As our business faced the impending shift from physical media to digital platforms, I was transitioned into our pioneering digital team to develop systems, working towards establishing best practices and streamline our workflow.

In my time at Clear Cut, I worked closely with every department, gaining a thorough understanding of post production and a valuable insight to the benefits of good planning during the production stages. Initially heading up, organising and managing the running team at west London’s largest post production companies, I was working very closely with Clear Cut’s clients, namely numerous BBC productions. After 9 months in this role I promoted into an Online Edit Assistant role- capturing footage, setting up and playing out Avid, FCP, Grading and Pro-Tools suites and providing technical support to Online Editors and Audio Designers. During this time, I furthered my post production knowledge, especially with the main editing programs (including FCP, Avid, Pro-Tools and Nucoda) and excelled at client facing and liaising with producers, directors, editors and post-producers alike.

Working with Alan Miles (director of “Jail Guitar Doors” and “Who Shot the Sheriff?”) working on Music videos, live gigs and demonstrations around London to raise awareness for the Love Music/Hate Racism cause. My role varied from day to with each coming event- photography, filming, editing and interviewing were the stable diet of my position with this exciting opportunity. I was proud to work alongside some of the best British musicians through this period. The highlight was heading up the filming and editing at the Leftfield stage at Glastonbury- leading a team of 5 through a non-stop weekend of bands, talks and events around the entire festival.