I'm currently a motion design, graphics, and creative visuals specialist on the Visual Investigations team at The New York Times. I was part of a group that won a Pulitzer Prize in 2020 for coverage of Russia's bombing of hospitals in Syria and again in 2022 for coverage of uninformed drone strikes in Syria, Afghanistan, and Iraq. I've been a graphics editor and producer for 6 News and Documentary Emmy Awards, along with a Malofiej Gold Medal, a Dupont Award, and several other notable honors. Before joining The Times in 2017, I worked as a creative lead for NBC, and prior to that ran my own studio specializing in motion design for journalistic and documentary productions.I’ve been fortunate to work in a gamut of media platforms throughout my career. Commercial photo illustrator, travel photographer, web designer, videographer, creative director, motion designer, and producer are the predominant “hats i’ve worn”. This digital diversity has afforded me a real insight into all aspects of media production. It helps me appreciate the work and abilities of my team mates or clients while allowing me to formulate appropriate project goals and needs. This range of rolls has also afforded me a pretty big creative software toolset. I take pride in ingenuity and problem solving. A varied career has really helped me manage the challenges that arise when balancing the creative, analytical, and logistical needs of a project.