Dylan Gallagher Email & Phone Number

Yorba Linda, Ca, Us

Los Angeles Metropolitan Area

I have been a reader for The Black List website for a decade. In that time, I have read, reviewed, and critiqued hundreds of screenplays and pilot submissions from Hollywood and all over the world.

DYLAN GALLAGHER has been crafting story since the wee age of 7 and writing screenplays since he was 12, all with the goal of writing professionally in the film industry. Traveling abroad before adolescence helped cement Dylan's interest in history and other cultures, and ever since, he's eagerly cultivated an amalgam of literature from other countries. After his stint at the New England prep school Phillips Exeter Academy, Dylan took their motto "non sibi" to heart and booked it to LA so he could tell stories that question people's selfish nature. His first industry gig was as PA for Jerry Bruckheimer Films, where he soaked in as much professionalism (and pirating) as possible. But it wasn't until he found a home at Marvel that Dylan realized his passion for dark, complicated characters could flourish in television. Guilt-ridden protagonists? Check. Characters afraid of their subconscious? Check. Ever-expanding cause-and-effect storytelling? Triple check! Dylan quickly made himself an asset for Marvel TV, working closely with different show runners and writers of all levels. This helped him learn the realpolitik of a room. Dylan's interests lie in a healthy Venn diagram of historical drama, action-thriller, and horror. No matter the genre, he finds the most interesting personalities are those most compromised. Dylan's goal is introducing audiences to characters they will hate themselves for loving. Because everyone deserves to be understood. And everyone deserves love. In his spare time, Dylan is trying to pull the sword from the stone, and fighting demons with rock 'n roll.

Los Angeles, California, United States

On staff for Carnival Row season 2 as an ESE. Co-wrote episode 204 with Mateja Božičević.

Los Angeles

Story Editor on Daredevil Season 4.Researched numerous topics and Marvel IP content. Tracked social message through season breakdown.

Los Angeles

Staff writer on Daredevil Season 3. Wrote Daredevil Episode 306 "The Devil You Know." Co-wrote season bible with co-eps. Contract extended 3 times to keep me on the show.Producing writer on set for episodes 306, 309, 311.Our season won the Best Streaming Superhero Award at 2019 The Saturn Awards.

Los Angeles

I was the writer's assistant for Marvel's Cloak & Dagger Season 1, now on Freeform and Hulu.

Los Angeles

I was the writers' assistant / show runner's assistant on Marvel's Defenders.

Los Angeles

As the writing office PA, I assisted the writing teams for both Season 1 and Season 2 of Marvel's Daredevil.

Santa Monica

As a PA I assisted our film development team by managing petty cash expenses, prepping department in whatever way they need for meetings, and organizing lunch orders. I ran an extensive array of errands all over the greater Los Angeles area for film-related projects, deliveries, pick-ups, and general office runs (supplies, groceries, etc). In addition, my position has given me great experience on assistants' desks. I've covered the desks of co-presidents of Film, the EVP of Film Production, and the President of JB TV. The duties of such include rolling calls, managing phones and phone sheet, setting meetings and organizing the calendar, creating and updating active development writer/director lists, and reading/distributing scripts and coverage.

Santa Monica

My duties at reception included transferring a high volume of calls through two separate offices, BermanBraun (currently Whalerock Industries) and Roth Films, organizing weekly supply orders, preparing lunch orders, cleaning work space, and booking conference rooms. My second primary task as receptionist was scheduling interviews between office executives and prospective employees.

I've edited films for friends and while I'm not currently editing, I did love the process and now I have a deep respect for the craft. I used Final Cut Studio Pro. If you wish to see an example of my work, here is a documentary I directed and edited. http://vimeo.com/18311924

Santa Monica

I interned in the film, television, and post departments. This included writing script beat breakdowns, assisting with reception duties, and replying to unsolicited material.

Culver City

I worked as an assistant to producer Zig Gauthier, which included performing administrative tasks such as managing phones, supervising a phone sheet, and confirming meetings. I wrote coverage for both television and film screenplays and also coordinated with a team of over twenty interns to develop and research non-scripted television shows

Greater Los Angeles Area

I worked in the L&G storehouse, where we rent out various forms of lighting and grip equipment. We also abide by industry-standard-regulation rules on safety and usage of equipment. I checked equipment in and out of the school, cleaned film stages, fixed broken lights, grippage, etc. all on an almost daily basis. I am familiar with most industry-standard lights, flags, chimeras, distro, stingers, etc.

Ba, Screenwriting, History, 3.96

Activities and Societies: Magna Cum Laude, Dean's List, Phi Alpha Theta History Honors Society - Pi Beta ChapterI received a BA.

Film Production

Activities and Societies: In Bonn, Germany I took courses in Cinematography, Editing, Pre-production, Directing, and German Language. All.

High School Diploma