• Monitored MIAP labs and Cinema Studies archives while supervising student workers• Maintained and upgraded equipment in conjunction with Tisch IT and Cinema Studies staff• Gave workshops Soldering & Wiring, Cable Making, Audio Preservation, and Working with GitHub

• Researched and verified the provenance of artwork photo documentation in database, utilizing the studio's style guide and subject matter experts with knowledge of Holzer's exhibition history and details• Archived the source code for an AR app, in collaboration with the developers, and associated documentation as part of a public exhibition on the campus of the University of Chicago• Successfully migrated images from obsolete 8” floppy diskettes from the 1980s and early 1990s

• Consolidated and organized digital assets and medium folders from the late 1990s on studio servers• Established naming conventions and archival workflow documents for digital assets on servers• Assisted with identifying misaligned diodes, restoring the surface of the trims, and created condition reports for three editions of LED after an exhibition before being sent to gallery for resale

City of Minneapolis, Community Planning and Economic Development, Minneapolis, MN• Wrote conservation assessment of website bdemakaska.net, which was created by Dakota artists and 
developers about the history of the largest lake within Minneapolis• Performed interviews with the artist and the developer of the website Denver Art Museum, Denver, CO – 2019• Created an emulation of the computer-based artwork of Floating Time - Marine Blue (2000) by Tatsuo Miyajima as part of as part of the process of installing the artwork for “The Light Show”

• Completed survey of artworks with an electronic component in the collection, resulting in a resource that both assessed artwork in the collection and estimated the size digital footprint for the museum's digital repository upon migration and preservation• Interviewed curatorial, facilities, education, exhibition staff, as well as external contractors, to complete an iteration report for "Turbulent," a two-channel video projection by Shirin Neshat from 1998• Researched time-based media artworks planned for exhibition, while creating template iteration, acquisition, and conservation treatment reports with museum's Assistant Conservator

• Worked with Holzer’s technicians to identify and organize all CAD drawings, digital animation assets, and custom LED programming for LED work and migrate them to the studio’s digital repository • Inventoried and wrote documentation describing LED programming and fabrication file types

• Documented electronic artworks and their component relationships in the museum’s catalog • Refined institutional policies for variable and electronic media conservation• Ingested born digital content and digitized video artworks to museum’s digital repository utilizing Archivematica, Bit Curator, Forensic Toolkit, as well as other open-source and command line tools• Wrote conservation treatment reports for Bill Viola, Tatsuo Miyajima, and Bjørn Melhus multiple-component, electronic media artworks

Studio Amie Siegel, Brooklyn, NY – 2016-18• Prepared all of artist Amie Siegel’s physical audiovisual elements for offsite storage, while creating an inventory, and created an archive drive and inventory of her digital masters Educational Video Center, New York, NY – 2015• Digitized archival masters of student produced docs from the late 80’s and early 90’s, created access copies, and performed fixity checks before duplicating files to serverMLF Productions, New York, NY – 2014-2015• Created inventory of early 16mm films of documentary filmmaker Murray Lerner as well as assessed film elements from the 1960s to identify and segregate items with vinegar syndrome

• Developed multiple department wide topic-based websites on the university's CMS within the Financial Operations Division and coordinated with Public Affairs to develop a site on nyu.edu, for legal, financial, and compliance resources for the university research community• Produced HTML5 online training courses for central administrative units, collaborating with policy and financial subject matter experts both within and external to the university• Edited and designed communication and training materials for print and online, including monthly and quarterly newsletters, as well as short term projects based on departmental need

• Tested, implemented, and uploaded two compliance training courses to learning management systems for the General Counsels Office and Compliance and Ethics department, working directly with external vendors and internal technical teams

• Worked with clients such as the National Resources Defense Council, The Asia Society, the USTA Advanced Media, HarperCollins Inc., NBA.com, Memorial Sloan Kettering, RMG Connect, and PeachPit

• Oversaw staff and freelance producers, editors, motion graphic and interactive designers, production teams, interns and contracted instructors for DVD-ROM based tutorials (including the the first third-party tutorial to ship "in-the-box" with an Apple Software)• Developed 12-month product schedule and cost estimate to maximize production department resources giving roadmap to sales and marketing, while meeting delivery milestones of eighteen products for two brands to provide a baseline cost model