Technical management, development and integration of virtual event platforms (Bizzabo, Meet and Engage) Project Manager for future Kaltura online event platform integration with Azorus CRM. Campus-wide Digital Signage OneLan CMS content strategy and scheduling. Development and implementation of OneTruth calendar system with central IT and University stakeholders to streamline event dissemination and discovery. Management of knowledge base for associated platforms. Support for many UG/PG marketing campaign including web presence/emails, and brand and touchpoint consistency

Part time secondment, focusing on the creation and delivery of a new Airport Transfers Bookings Process utilising Azorus CRM and Global Payments for 350 International Students providing £17,000 income (projected)

Reviewing and revitalising the Belgrade Theatre's use of Artifax to help align processes with key business objectives and investments, with a focus on OneTruth methodology and ACE / Coventry City Council reporting (including overhauled Spektrix Integration)

Setup, migration and ongoing administration of Artifax v4, including training, documentation and continued process development and integration with key software, such as Spektrix, the website and other ancillary systems.Improved business-wide reporting and feedback to align with ACE pillars and business objectives, focusing of EDI strategies.Coordination of the live, artistic programme, contributing to the annual delivery of up to 400 performances, across 130 events.Liaising on transport, accommodation and freight for national and international touring companies.Managing all venue hires and relationships for a diverse clientele and yearly income of £300,000.Supported website rebrand through development and launch.Created the Warwick Arts Centre Virtual Tour to help with commercial hires, visitor experience: https://bit.ly/WACVirtual

Comic book/novel proofreader and editor for various clients around the world. I provide tailored critiques and edits to those working to tight deadlines and budgets. I pride myself in the level of detail, which includes a vast amount of research of the given topic before the edit can begin.Completed• Comic: The Road to Bujercon (English Translation) by Juha Kämäräinen• Comic: Several comics in the Akihiro Series by Jourdan McLain (and various other series)• Select Chapters: works by Janie MolenaarIn Progress• Novel: The Chef's Special by Shawn Kim

Theatre Assistant: February 2016 - April 2016Event Management - liaising with incoming production companies to provide administrative support, health and safety, Front of House Staffing (including process creation and development), Front of House and Duty managerial roles, PRS.Box Office - advanced knowledge of Advanced Ticketing's Cloud Venue and IRIS software, managing all Box Office Processes (show setup and report scheduling, PCI DSS Compliance, advancement and development of Box Office opening hours, staffing and training), complimentary tickets (company and customer relation)Website Development - working alongside the Marketing Coordinator to continually develop the theatre website (www.albanytheatre.co.uk), navigation, cross-selling and user-experience improvements, html/css coding, liaising with Fluid7 using its Panthro software.The Albany Picture House - Coventry's Community Cinema, creation and management of membership scheme, liaising with volunteer programming lead and development of a completely volunteer-lead group. Finance and evaluations. Other Duties include:• Finance - management of all in-house finance procedures (invoice processing, staff and volunteer expenses, weekly cash banking)• Volunteers - creation and management of the Volunteer Recognition programme. Assisting in training and retention. Creation and management of the monthly Volunteer Newsletter.• Line Management - Creative Alliance Apprentice (L2 - Business and Admin)• Fire Safety• Security• Holiday booking and procedures• Management of cleaning services

2014 Supporting Junior Theatre (7-9 year olds)• Ensuring the juniors' experience was enjoyable, while maintaining a calm and structured environment.• Responsible for the safety of young people in and out of the studio.2014 - Drama Arty PartyThe Garage offers one-off workshops for birthday parties. These are taught around a given theme, structured well and culminate in a short performance to show friends and parents.

Working Front of House for the Garage involves a wide knowledge of the business and how it operates as a charity and centre for the continual development of young people and adults through an artistic medium.• The use of the computerised booking system Plus2• First point of contact from any telephone enquiries• Knowledge of all policies and procedures for day-to-day and emergency situations• Arts Award Postal Moderation logging• Keeping the building safe and running smoothly• Managing cash and booking sales

Drama Teacher• Plan and run termly courses for a groups of 7 to 9 year-olds• Support and occasionally run sessions for young people aged up to 18 years old• Reinforce safety measures, respect and learning in a creative and enjoyable environment• Develop experience for students with new exercises/techniques, as well as building on natural skills and talents

Supporting and Stage Managing• Working on the National Theatre Connections scheme "Hospital Food" by Eugene O'Hare• Managing a full prompt book for the length of the play• Sourcing all props and costumes• Liaising with the project manager, set designer and the director to maintain a clear artistic vision and budget

Provide high quality events service for Weddings, Birthdays and Business Functions.

Working with Santé Theatre Company to create their latest verbatim production, 'Cracked'​, written By Mike Kenny with poetry By Julie Boden.Aside from Stage Managing the production, I will also be working a facilitator when workshopping the piece with a group of young adults to be included as ensemble in every tour location:Lakeside Arts Centre, NottinghamDerby TheatreBluecoats School Theatre, CoventryBirmingham RepCardinal Newman University TheatreThe Platform, Glasgowhttp://www.santetheatre.co.uk/

Assisting the festival as part of the 15-20 strong team of publicity team members, who inform the public about the festival and the events taking place within it.

Continuing on from work I undertook in 2013 during my BA in Scriptwriting and Performance, I returned to UEA to work in the same role. Hired by the department to fill a gap in the Production Structure of the Third Year's largest production, I work once a week to manage one project, containing three separate productions, relating in theme to World War I. Duties Include:• Management of all Production Teams.• Chairing a weekly production meeting for the teams to air issues, ask questions and update their progress towards schedules and deadlines.• Worked alongside the Stage Managers to liaise with the Directors and the casts to ensure a smoothly running project.• Efficiently managing my work hours so tasks could be completed to a high standard in the given time restraints.

During my time as a member of Minotaur Theatre Company, I was directly involved with 11 different productions. Taking on numerous roles within the company, I was a valuable asset for a variety of projects. Most notably, I was involved in two Edinburgh Fringe Festival productions, for two consecutive years. I have also worked with puppets on several occasions, both in performance and creation.All credits include:Stagehand for "The Trial"Ensemble - "Wishes" (The Shorts Festival 2011)Alexander Pope - "Coffee and Cropped Laurels"The Scientist - "Fish!" (Shorts 2012)Writer and Director of "The Council of Rhymes" (Shorts 2012)Set and Props for "In a Relationship: A Facebook Musical" (Shorts 2012)Production and Stage Manager of "The Librarians"Production Manager of "Jerusalem"Producer of "The Psychosocial Gathering"Stage Manager for "The Shorts 2014"Puppet Manager for "The Head That Bears"

Liaised with Medical Students within the University of East Anglia to produce educational scripts to aid the understanding of first year modules.

Working together with others to promote a balanced working environment. Nightly payments of £800 cash upward and PDQ payments at the end of a shift. Adaptable for all roles in the restaurant and/or bars as required