Providing In-House supervision for Features and Episodics from concept to final.

Providing In-House supervision for Features and Episodics from concept to final.

Working at the shot, sequence or project level. Utilizing encrypted cloud based storage and collaborative tools to connect with clients and teams remotely via AWS. On-the-box Compositing, mentoring, project bidding, consulting, workflow and supervision.Some of our recent projects and clients include:Zoey's Extraordinary Playlist Season 2 (Lionsgate)Skylin3s (RED Visual Effects)Cherry (Visual Creatures/Russo Brothers)Extraction (Hive Vfx/Netflix)Spencer… Show more Working at the shot, sequence or project level. Utilizing encrypted cloud based storage and collaborative tools to connect with clients and teams remotely via AWS. On-the-box Compositing, mentoring, project bidding, consulting, workflow and supervision.Some of our recent projects and clients include:Zoey's Extraordinary Playlist Season 2 (Lionsgate)Skylin3s (RED Visual Effects)Cherry (Visual Creatures/Russo Brothers)Extraction (Hive Vfx/Netflix)Spencer Confidential (Hive Vfx/Netflix)The Game Called Murder (Masters FX)Babysitter's Guide to Monster Hunting (Netflix)Child's Play (Animism/MGM) - LEO Award WinnerMalibu Rescue! (Netflix)The Victoria Project (Animism/Dino Labs)Wu Assassins (Animism/Netflix) Show less

In-house VFX supervision from script bid to final delivery. Lead spec R&D work for client pitches resulting in multiple awards. Full CG shots down to bread and butter Compositing.Clients include Netflix, Apple, HBO, and FX for shows such as Y: The Last Man, Wednesday Addams, Carnival Row (Pitch Dev), Superman and Lois, and Shining Girls to name a few.

Leading and supporting the show team, On-the-box-Compositing, shot template setup and look Development for key show elements in Vancouver. On-site 2d workflow, training and sequence supervision in Bengaluru, India.Projects:Ad Astra (2019)

Working with a varying crew between 6-30 artists and harmonizing workflow across all departments to establish looks of elements, assets and sequences in technical and creative support of the show VFX Supervisor.Past projects include:The Man in the High CastleLuciferSecond ChanceWayward PinesThe Rocky Horror Picture ShowBeyondThe Get DownSearchers (Pilot)ZooMisfits (Pilot)Future ManThe ExorcistLegends of TomorrowX-files

Senior Comp and Look Dev for Hunger Games: Mocking Jay part 2

Operated as both Senior compositor and team sequence lead as required on various projects

Look Dev and Feature compositing. Sequence Lead on select projects

Compositing and look dev on various projects:"Occulus" (2014)"Hemlock Grove" (2013)"Lucky 7" - pilot (2013)

Came on board to work through the crunch for "Man of Steel".

Feature film compositing using Discreet Flame/Flare systems.

Acting as lead compositor for children's television series "What's Your News". Developed for the CBC.

2d and Stereo Compositing for Feature film. Hired for a short term crunch on Cronenberg's "Cosmopolis"

2d and Stereo compositing for Feature Film.

Working on 2d and stereoscopic shots for "Piranha 3d" as well as "Battle: Los Angeles".

Rig removal, CG plate integration, and green screen comps were daily tasks on multiple films.

During my time here I was tasked with rig removal, green screen comps, cg creature integration, and matte integration.

- Currently heading a mixed team of intermediate and junior compositors. - Tracking completion status of shots and episodes as well as organizing a workflow between the editors and compositors. - Taking work of juniors through to finals.- Ensures visual style and standards are maintained across multiple shots and sequences.- Completing a body of work that runs across three seasons, two television series, and hundreds of shots.

Developing visual look and feel for the gritty comic short feature "Nothing Personal".Using compositing and tracking solutions I corrected inconsistencies in background plates as well as continuity errors in the film. I have also walked the creators through a final digital grading process.

2D to 3D conversion for Harry Potter 5.

Responsibilities include managing conceptual design and production of all graphic elements within the framework of a separate sales team and coding department. Worked with clients on an individual basis to aid in the process of creating informative, visually engaging websites. Trained clients and employees in use of software and in-house production pipelines. Took on responsibilities of other employees in their absence. Was involved in contract negotiation with clientele.Noteworthy… Show more Responsibilities include managing conceptual design and production of all graphic elements within the framework of a separate sales team and coding department. Worked with clients on an individual basis to aid in the process of creating informative, visually engaging websites. Trained clients and employees in use of software and in-house production pipelines. Took on responsibilities of other employees in their absence. Was involved in contract negotiation with clientele.Noteworthy Achievements: Starting as an Intern, over a three year period went on to become responsible for all graphic design and production. Show less

Remastered Poseidon and Superman Returns for release in Imax theatres. Daily activities attached to the process included general compositing, rotoscoping, keying, digital dirt removal, film grain softening and detailing. Crunched through a staggering amount of work on a nil timeline along with the rest of the crew to reach our June 28th deadline for Superman.