Isolated, modified, and redrew comic panel characters and backgrounds in various styles for rigging as puppets in After Effects for comic book trailers. Brainstormed, designed, and vectorized a custom collection of emojis as assets for company videos.

Crafted multiple editorial pieces for their online engagement campaigns, pitch decks, and internal newsletters. Translated high concepts into over forty illustrations relaying the story of Lotic.Ai and briefing how their AI works for investor pitch presentations. Illustrated a portrait, comic, and character design explaining how Lotic.Ai’s algorithm assists UNICEF and protects the information of displaced Ukrainians.

Wrote, illustrated, and self-published a graphic novel “No Good Deed” and reformatted it for Webtoon.Conceptualized, illustrated, and collaborated on backgrounds for a visual novel, Hidden Tale.Completed multiple character and editorial commissions for both individual clients and brands, such as Japanime Games and the Core Knowledge Foundation. Composed five comic pages for Brattle Street’s “Kuwaiting it Out,” and formatted panels for Webtoon. Layout assistant on “Ronan and the Sea of Stars,” placing/drawing word balloons and text setup.

Collaborated with multiple brands (USA, Syfy, Oxygen, E!, Bravo) on standardizing After Effects templates; produced hundreds of thousands of graphics, credit squeezes, and lower thirds for multiple brands with tight deadlines. Developed dynamic Google Sheets to assist with the organization of graphic/lower third orders for clients. Advised and monitored trainees on After Effects to ensure consistent graphic quality.Reviewed and prepared digital content for air by inspecting for defaults such as nudity, curse words, consistent censorship, continuity errors, editing/graphical issues, uncensored private information, and ensured content met modern sensitivity standards. Managed, organized, and oversaw uploads for NBC’s editor portfolios to our internal website.